• Domov/Home
  • Program/Programme
    • Maj / May 2025
  • Novice/News
  • Razpisi/Open Calls
  • Produkcije/Productions
    • Available for tour/Na voljo za gostovanja
    • Productions/Produkcije
    • Kulturno-umetnostna vzgoja
  • Festivali
    • RAIL2DANCE4UKREP
    • RAIL2DANCE
    • UK[REP] 2022
    • U[KREP] #2 - NOVA SEDANJOST / NEW PRESENT
    • U[KREP] 2020
    • MedUkrep 2019
    • Ukrep 2018: ENTER!
    • MedUkrep 2017
    • UkreP ZA 2016 / Taking Measures - Hope For 2016
  • O NAS/ABOUT US
    • PTL
    • Gledališče/Venue
    • Partnerji/Partners
    • Podporniki/Supporters
  • Naročite se na novice/Subscribe
  • VSTOPNICE/TICKETS
  • Arhiv programa / Programme archive
    • April 2025
    • Marec / March 2025
    • Februar / February 2025
    • Januar / January 2025
    • December 2024
    • November 2024
    • Oktober / October 2024
    • September 2024
    • Avgust / August 2024
    • Junij in julij / June and July 2024
    • Maj / May 2024
    • April 2024
    • Marec / March 2024
    • Februar / February 2024
    • Januar / January 2024
    • December 2023
    • November 2023
    • Oktober / October 2023
    • September 2023
    • Avgust / August 2023
    • RAIL2DANCE4UKREP program festivala
    • Junij / June 2023
    • Maj / May 2023
    • April 2023
    • Marec/March 2023
    • Februar / February 2023
    • Januar / January 2023
    • December 2022
    • November 2022
    • Oktober/October 2022
    • September 2022
    • Avgust/August 2022
    • Julij/July 2022
    • Junij/June 2022
    • UK[REP] 2022
    • Maj/May 2022
    • April 2022
    • Marec/March 2022
    • Februar/February 2022
    • Januar/January 2022
    • December 2021
    • November 2021
    • Oktober/October 2021
    • September 2021
    • Avgust/August 2021
    • Junij/June 2021
    • April 2021
    • Marec/March 2021
    • Februar/February 2021
    • Januar/January 2021
    • December 2020
    • November 2020
    • Oktober/October 2020
    • September 2020
    • Julij/July 2020
    • Junij/June 2020
    • Maj/May 2020
    • April 2020
    • Marec/March 2020
    • Februar/February 2020
    • Januar/January 2020
    • December 2019
    • November 2019
    • Oktober/October 2019
    • September 2019
    • Avgust/August 2019
    • Julij/July 2019
    • Junij/June 2019
    • Maj/May 2019
    • April 2019
    • Marec/March 2019
    • Februar/February 2019
    • Januar/January 2019
    • December 2018
    • November 2018
    • Oktober/October 2018
    • September 2018
    • Avgust/August 2018
    • Junij/June 2018
    • Maj/May 2018
    • April 2018
    • Marec/March 2018
    • Februar/February 2018
    • Januar/January 2018
    • December 2017
    • November 2017
    • Oktober/October 2017
    • September 2017
    • Avgust/August 2017
    • Junij/June 2017
    • Maj/May 2017
    • April 2017
    • Marec/March 2017
    • Februar/February 2017
    • Januar/January 2017
    • December 2016
    • November 2016
    • Oktober/Octobre 2016
    • September 2016
    • Junij/June 2016
    • Maj/May 2016
    • April 2016
    • Marec/March 2016
    • Februar/February 2016
    • Januar/January 2016
    • December 2015
    • November 2015
    • Oktober/October 2015
    • September 2015
    • Junij/June 2015
    • Maj/May 2015
    • April 2015
    • Marec/March 2015
    • Februar/February 2015
    • Januar/January 2015
    • December 2014
    • November 2014
    • Oktober/October 2014
    • September 2014
    • Junij/June 2014
    • Maj/May 2014
    • April 2014
    • Marec/March 2014
    • Februar/February 2014
    • Januar/January 2014
    • December 2013
    • November 2013
    • Oktober/October 2013
    • September 2013
    • Junij/June 2013
    • Maj/May 2013
    • April 2013
    • Marec/March 2013
    • Februar/February 2013

Plesni Teater Ljubljana

  • Domov/Home
  • Program/Programme
    • Maj / May 2025
  • Novice/News
  • Razpisi/Open Calls
  • Produkcije/Productions
    • Available for tour/Na voljo za gostovanja
    • Productions/Produkcije
    • Kulturno-umetnostna vzgoja
  • Festivali
    • RAIL2DANCE4UKREP
    • RAIL2DANCE
    • UK[REP] 2022
    • U[KREP] #2 - NOVA SEDANJOST / NEW PRESENT
    • U[KREP] 2020
    • MedUkrep 2019
    • Ukrep 2018: ENTER!
    • MedUkrep 2017
    • UkreP ZA 2016 / Taking Measures - Hope For 2016
  • O NAS/ABOUT US
    • PTL
    • Gledališče/Venue
    • Partnerji/Partners
    • Podporniki/Supporters
  • Naročite se na novice/Subscribe
  • VSTOPNICE/TICKETS
  • Arhiv programa / Programme archive
    • April 2025
    • Marec / March 2025
    • Februar / February 2025
    • Januar / January 2025
    • December 2024
    • November 2024
    • Oktober / October 2024
    • September 2024
    • Avgust / August 2024
    • Junij in julij / June and July 2024
    • Maj / May 2024
    • April 2024
    • Marec / March 2024
    • Februar / February 2024
    • Januar / January 2024
    • December 2023
    • November 2023
    • Oktober / October 2023
    • September 2023
    • Avgust / August 2023
    • RAIL2DANCE4UKREP program festivala
    • Junij / June 2023
    • Maj / May 2023
    • April 2023
    • Marec/March 2023
    • Februar / February 2023
    • Januar / January 2023
    • December 2022
    • November 2022
    • Oktober/October 2022
    • September 2022
    • Avgust/August 2022
    • Julij/July 2022
    • Junij/June 2022
    • UK[REP] 2022
    • Maj/May 2022
    • April 2022
    • Marec/March 2022
    • Februar/February 2022
    • Januar/January 2022
    • December 2021
    • November 2021
    • Oktober/October 2021
    • September 2021
    • Avgust/August 2021
    • Junij/June 2021
    • April 2021
    • Marec/March 2021
    • Februar/February 2021
    • Januar/January 2021
    • December 2020
    • November 2020
    • Oktober/October 2020
    • September 2020
    • Julij/July 2020
    • Junij/June 2020
    • Maj/May 2020
    • April 2020
    • Marec/March 2020
    • Februar/February 2020
    • Januar/January 2020
    • December 2019
    • November 2019
    • Oktober/October 2019
    • September 2019
    • Avgust/August 2019
    • Julij/July 2019
    • Junij/June 2019
    • Maj/May 2019
    • April 2019
    • Marec/March 2019
    • Februar/February 2019
    • Januar/January 2019
    • December 2018
    • November 2018
    • Oktober/October 2018
    • September 2018
    • Avgust/August 2018
    • Junij/June 2018
    • Maj/May 2018
    • April 2018
    • Marec/March 2018
    • Februar/February 2018
    • Januar/January 2018
    • December 2017
    • November 2017
    • Oktober/October 2017
    • September 2017
    • Avgust/August 2017
    • Junij/June 2017
    • Maj/May 2017
    • April 2017
    • Marec/March 2017
    • Februar/February 2017
    • Januar/January 2017
    • December 2016
    • November 2016
    • Oktober/Octobre 2016
    • September 2016
    • Junij/June 2016
    • Maj/May 2016
    • April 2016
    • Marec/March 2016
    • Februar/February 2016
    • Januar/January 2016
    • December 2015
    • November 2015
    • Oktober/October 2015
    • September 2015
    • Junij/June 2015
    • Maj/May 2015
    • April 2015
    • Marec/March 2015
    • Februar/February 2015
    • Januar/January 2015
    • December 2014
    • November 2014
    • Oktober/October 2014
    • September 2014
    • Junij/June 2014
    • Maj/May 2014
    • April 2014
    • Marec/March 2014
    • Februar/February 2014
    • Januar/January 2014
    • December 2013
    • November 2013
    • Oktober/October 2013
    • September 2013
    • Junij/June 2013
    • Maj/May 2013
    • April 2013
    • Marec/March 2013
    • Februar/February 2013
  • Menu
Foto / Photo: ANKA SIMONČIČ

Foto / Photo: ANKA SIMONČIČ

4. 6. - 20.00 - PLESNI SOLI, 20.30 - Andrea K. Schlehwein: #SHIVERING, 21.00 - Glej zunanji oder - PLESNI SOLI

May 27, 2021

FESTIVAL U[KREP] #2 – NOVA SEDANJOST / NEW PRESENT

  • 20.00 - Ruben Gombač: SOLO: AFRIKA JE V MENI / AFRIKA IS IN ME, KATERI SEM PRAVI JAZ? / WHICH ONE IS MY REAL ME? (GHA/SLO), Kaja Marion Ribnikar: SOLO: BITJE / CREATURE (SLO), Sara Janašković: SOLO: POTOVALNA AGENCIJA / TRAVEL AGENCY (SLO), Nataša Djurić: SOLO: EXIT (SRB/SLO)

  • Andrea K. Schlehwein: #SHIVERING / #DRHTENJE (A)

  • 21.30 - GLEJ ODPRTI ODER / OUTDOOR STAGE - Lara Matea Ivančič: SOLO: XXL (SLO), Julija Pečnikar: SOLO: MILNICA / SOAP (SLO)

20.00 - Ruben Gombač – SOLO: AFRIKA JE V MENI / AFRIKA IS IN ME (GHA/SLO)

Koreografija in ples / Choreography & Dance: RUBEN GOMBAČ

Mentor: JANA KOVAČ VALDES, ŽELJKO BOŽIČ

Moja glava je zapolnjena. Ko se poskušam spomniti Afrike, se spomnim samo enega velikega drevesa. Tudi če se še tako trudim in osredotočim, se ne spomnim. Če bi zdaj šel v Afriko, bi razmišljal, kdo je moj oče in moja mama in zakaj me je zapustila. To vem, ker ni mogla skrbeti zame. Mogoče je en mesec skrbela zame. Tam mi je bilo ime Kofi Anim. Zakaj plešem ... Da hitreje čas mine. Ker me zanima, kako se v Afriki pleše. Zato ker se mogoče v telesu skriva en del, ki ga ne poznam in ne vem, kaj je. In ko plešem, od nekod pridejo gibi in ne vem od kod.

My head is full. When I try to remember Africa, all that comes to mind is a giant tree. No matter how hard I try, I cannot remember. If I went to Africa now, I would wonder who my parents are and why my mother left me. But I already know that: because she couldn’t take care of me. Maybe she took care of me for a month. There, my name was Kofi Anim. Why do I dance … To make the time pass quicker. Because I’m interested in how people in Africa dance. Because maybe there is a part of me hidden, and I don’t know what it is. And when I dance, movements come by themselves, from some place unknown.

Konzervatorij BELO-ČRNO_LOGOTIP.png

KATERI SEM PRAVI JAZ? / WHICH ONE IS MY REAL ME? (GHA/SLO)

Najprej sem improviziral na klavirju. Nato sem skomponiral skladbo. Potem sem jo še enkrat zaigral. In na koncu še odplesal. Kateri sem pravi jaz?

I improvised first on the piano. Then I composed a song. Then I played it again. And in the end, I danced. Which one is my real me?

Foto / Photo: URŠKA BOLJKOVAC

Foto / Photo: URŠKA BOLJKOVAC

Kaja Marion Ribnikar: SOLO: BITJE / CREATURE (SLO)

Koreografija in ples / Choreography & Dance: KAJA MARION RIBNIKAR

Mentor: URŠA RUPNIK

Glasba / Music: DAVID KOCMUR

Bitje ima zelo dolge prste, s katerim se izraža. Zadnje čase veliko razmišlja, ker bi rado spregovorilo. Ker v mislih besed ne najde, jih gre poiskati v kraško jamo.

The creature has very long fingers with which to express itself. He/She’s been thinking a lot lately because he’d like to talk. Since he/she can’t find the words in his/her mind, he goes to look for them in a karst cave.

Foto / Photo: URŠKA BOLJKOVAC

Foto / Photo: URŠKA BOLJKOVAC

Sara Janašković: SOLO: POTOVALNA AGENCIJA / TRAVEL AGENCY (SLO)

Koreografija in ples / Choreography & Dance: SARA JANAŠKOVIĆ

Mentorstvo / Mentors: PRIMOŽ EKART, VITO WEIS

Glasba / Music: EMILI BIZJAK

Želim si potovati preko meja, kjer ukleščenost ne obstaja.

I want to travel across borders, where entrapment doesn’t exist.

Foto / Photo: URŠKA BOLJKOVAC

Foto / Photo: URŠKA BOLJKOVAC

Nataša Djurić: SOLO: EXIT (SRB/SLO)

Koreografija in ples / Choreography & Dance: NATAŠA DJURIĆ

Mentor: LEJA JURIŠIČ

Zvok / Sound: NIKOLA MAKSIMOVIĆ

Če ne bi plesala ... Ne … V bistvu ne morem nehati. Nekatere navade iz otroštva sežejo bolj globoko, kot si mislimo (želimo).

If I stopped dancing … No … In fact, I can’t stop. Some childhood habits reach deeper than we think (would like).

Foto / Photo: SANG HOON OK

Foto / Photo: SANG HOON OK

Andrea K. Schlehwein: #SHIVERING / #DRHTENJE (A)

predstava iz serije AKUMULACIJA / performance from the ACCUMULATION series

Koreografija, koncept / Choreography & Concept: ANDREA K. SCHLEHWEIN

Asistentka koreografije / Assistant Choreographer: ALINA JACOBS

Ples / Dance: ANDREA MARIA HANDLER, ALINA JACOBS

Produkcija / Produced by: BÜRO FÜR TANZ I THEATER I PRODUKTIONE, NETZWERK AKS

Andrea K. Schlehwein in kolektiv NETZWERK AKS v predstavi # shivering iz serije AKUMULACIJA raziskujejo kompleksna, dinamična stanja vznemirjenja, ki so osnova za pojav drhtenja in katerih osrednja točka izvora je na eni strani v notranjosti telesa, na ravni mišic, kosti in sklepov, na drugi strani pa v notranjem čustvenem prostoru, na ravni spominov, občutij in različnih, neopredeljenih sprožilnih točk.

Prostor v notranjosti je opredeljen kot anatomsko locirano središče za impulze, iz katerega se po telesu sproščajo reakcije in frekvence, ki sprejemajo impulze. Akumulacija notranjih stanj proizvede valujoče, koreografirane sekvence spreminjajoče se gostote, kot plima in oseka, ki zapisuje ples v sodelovanju in konfrontaciji obeh nastopajočih znotraj prostora akcije, odra. Z raziskovalnim področjem predstave #shivering je koreografinja Andrea K. Schlehwein v svoj podpis integrirala plesno tehniko, ki dosledno spoštuje načelo »form follows function« kot zanimivo izhodišče za koreografsko raziskovanje.

In #shivering from the ACCUMULATION series, Andrea K. Schlehwein and the NETZWERK AKS collective explore the complex, dynamic states of agitation which form the basis of the phenomenon of trembling and have their central point of origin, on the one hand, inside the body, at the level of muscles, bones and joints, and on the other hand in the emotional inner space, at the level of memories, feelings and various indefinable trigger points.

A place on the inside is defined as an anatomically located, impulse-giving centre from which impulse-receiving reactions and frequencies are released throughout the body. The accumulation of internal states brings forth wave-like, choreographed sequences of varying density, an ebb and flow that outlines the dance in togetherness and confrontation of the two performers within the action space, the stage. With the research field #shivering, choreographer AKS integrates into her signature a dance technique which consistently respects the principle of “form follows function” as an intriguing starting point for choreographic exploration.

logo-Andrea.png
Foto / Photo: SUNČAN STONE

Foto / Photo: SUNČAN STONE

Glej-logo.png

GLEJ ODPRTI ODER / OUTDOOR STAGE

21.30 - Lara Matea Ivančič: SOLO: XXL (SLO)

Koncept, koreografija, izvedba / Concept, Choreography & Dance: LARA MATEA IVANČIČ

Glasba / Music: VAL FÜRST

Vstopnice / Tickets: https://olaii.com/event/1065/-soteskaopen-xxl-u-krep

Stojim gola pred svojo omaro. Izbiram med vsemi starimi in novimi oblačili in iščem lupinico, ki bo zakrila moje telo, mehko in ranljivo. Ali nas obleke razlikujejo med sabo, če jih uporabljamo z istim namenom? Kako lahko kos oblačila naredi telo bolj seksi, kot je samo golo telo? Kaj mi obleke dovolijo, česar is gola ne upam, če sploh kaj? Več je najboljše!

I stand in front of my closet, naked. I am choosing from all of my new and old clothes, looking for a shell to cover up my soft and vulnerable body. Do clothes really distinguish us from each other if we use them with the same purpose? How can a piece of clothing make a body more sexy than a naked body itself? Do clothes allow me something that my naked body does not? More is best!

Foto / Photo: SUNČAN STONE

Foto / Photo: SUNČAN STONE

Julija Pečnikar: SOLO: MILNICA / SOAP (SLO)

Koncept, koreografija, izvedba / Concept, Choreography & Dance: JULIJA PEČNIKAR

Zvočna spremljava v živo / Live music: ILINCA FORNA

Zunanje oko / Outside eye: VITA OSOJNIK

Vstopnice / Tickets: https://olaii.com/event/1066/-soteskaopen-milnica-u-krep

Milnica je kolaž zdrsljivih vtisov, vzdušij in občutij. Avtorski solo se poigrava z različnimi načini bivanja: obstankom, padcem, drsenjem in opazovanjem. Kratki zvočno-gibalni izseki spominjajo na motno, izmuzljivo in le s težavo oprijemljivo sedanjost, v kateri se človek včasih znajde, včasih pa se ne. Včasih nam diši, včasih pa samo drsi.

Soap is a collage of elusive impressions, atmospheres and feelings. In this solo, the author plays with various types of being: existence, downfall, sliding and observation. Short sound-movement clips resemble the cloudy and elusive present that is hard to grasp. A person sometimes finds his way in this present and sometimes he doesn’t. Sometimes we can smell it, sometimes it only slips by.

UKREP 2020–2021: Nova sedanjost, Festival plesnih perspektiv sodi v program Plesnega Teatra Ljubljana. Program Plesnega Teatra Ljubljana je v javnem interesu na področju kulture in umetnosti ter ga sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana. / UKREP 2020-2021: New Present, Festival of Dance Perspectives is part of the programme of Dance Theatre Ljubljana (PTL). The programme of PTL – Dance Theatre Ljubljana is in the public interest in the field of culture and art, and is subsidized by the Ministry of Culture of the Republic of Slovenia and the Municipality of Ljubljana.

Zaradi navodil NIJZ in ukrepov Covid-19, ki se nenehno spreminjajo, bomo morda morali del programa prilagoditi ali celo odpovedati. Prosimo za razumevanje! / Due to the guidelines by the National Institute of Public Health and the ever-changing Covid-19 measures, we may need to adjust or even cancel part of the programme. We ask for your understanding!

V skladu z odloki Vlade RS je udeležba na kulturnih dogodkih dovoljena osebam z negativnim testom na Covid-19, cepljenim ali prebolevnikom (PTC pogoj). / In accordance with the decrees of the Government of the Republic of Slovenia, participation in cultural events is allowed to people with a negative test for Covid-19, vaccinated or convalescent people (PTC condition).

INFO. / REZ.: 041 365 184, ptl@mail.ljudmila.org, info@ptl-lj.si, Moje karte

Vstopnice / Tickets: 10/7€ (dijaki, študenti, upokojenci / scholars, students, seniors), rezervacije po elektronski pošti na info@ptl-lj.si ter prevzem vstopnic najkasneje 30 minut pred dogodkom / Ticket reservations at info@ptl-lj.si and ticket pick up no later than 30 minutes before the event.

5. 6. - 20.00 - PLESNE ZGODBE S ŠTUDENTKAMI ALMA MATER EUROPAEA AKADEMIJE ZA PLES, 21.00 - Andrea K. Schlehwein + NETZWERK AKS: BUTTERFLY TALES →