PTL PREMIERA / PTL PREMIERE

Anamaria Bagarić, Tajda Podobnik

tkivo:človek / tissue:human

plesna predstava / a dance performance

lokacija / location: Center kulture Španski borci

Avtorici in izvajalki / Authors and Performers: ANAMARIA BAGARIĆ, TAJDA PODOBNIK

Glasba / Music: KARMEN PONIKVAR

Zunanje oko / Outside view: JANA MENGER

Produkcija / Production: PLESNI TEATER LJUBLJANA - FESTIVAL 4UKREP

Partner: VITKAR

V sodelovanju s festivalom / In Collaboration with Festival: NA KNAP. FESTIVAL KRATKE PLESNE FORME (ZAVOD EN–KNAP).

About the project:

cell > tissue > organ > system of organs > ORGANISM

purpose > body > signal > movement > DANCE

motive > action > composition > event > DANCE PERFORMANCE

O projektu:

celica > tkivo > organ > organski sistem > ORGANIZEM

namen > telo > signal > premik > PLES

motiv > akcija > kompozicija > dogodek > PLESNA PREDSTAVA

About authors:

Anamaria Bagarić (1991) is an author, choreographer, and dancer. She presented her first solo work, Dark Matter(s)(2017), in Egypt and collaborated with the Cairo Opera House. In Slovenia, she collaborates regularly with the physical theatre collective Fourklor and participates in various contemporary dance and theatre projects. Her works include Prizma (2019), Kava, črna (2022), Too Much of Me Hides in the World (2024), and The World Tethers(2025).

Tajda Podobnik completed her studies in contemporary dance and jazz dance at the Academy of Dance in Ljubljana in 2014, where she trained under the mentorship of renowned choreographers and dance educators. Her dance career is diverse and rich, as she has participated in numerous original projects, as well as dance, circus, street, and theatre performances. As a performer, she has been involved in the work of several acclaimed choreographers, including Jana Menger, Kjara Starič Wurst, Vita Osojnik, Uršula Teržan, Veronika Valdés, and Snježana Premuš. She has also collaborated with the Croatian choreographic duo De.not, the Bitnamuun collective, and participated in events with the artistic community SZ3.

Since 2015, she has been a permanent member of the dance group Fourklor, led by Branko Potočan, with whom she is most active. Within the group, she takes part in creating circus cabarets and dance performances, working as a dancer, circus artist, co-creator, or choreography assistant. As a circus artist, she focuses particularly on aerial disciplines such as rope, silks, and hoop.

She first collaborated with director Jaša Koceli in 2015, initially as a dancer. Since 2017, she has also worked as a choreographer on his theatre and opera productions, and in 2022, she expanded her collaboration with him to include assistant directing. Together with Jaša and his creative team, she has had the opportunity to work on international projects in Hungary, the Czech Republic, Lithuania, and Serbia.

In 2021, Tajda furthered her academic education by completing a master’s degree in Movement Arts at the Academy for Theatre, Radio, Film and Television (AGRFT). Her interdisciplinary practice combines dance, circus, choreography, and directing assistance, enabling her to take a holistic approach to artistic creation and collaboration on diverse projects.

O avtoricah:

Anamaria Bagarić (1991) je avtorica, koreografinja in plesalka. V Egiptu se je predstavila s prvim avtorskim solom Dark Matter(s) (2017) in sodelovala s Kairsko operno hišo. V Sloveniji redno sodeluje s kolektivom fizičnega gledališča Fourklor in projektno v polju sodobnega plesa in gledališča. Je avtorica predstav Prizma (2019), Kava, črna (2022), Preveč mene se skriva v svetu (2024) in Preveč sveta se skriva v meni (2025).

V zadnjih letih je nastopila v predstavah Generacije (Plesni teater Ljubljana/Branko Potočan), Umetnost preživetja (Mini teater/Inan du Swami), Na stežaj zaprta vrata (Cankarjev dom/Branko Potočan), Postaja Kamen Glas (Županova jama/Neža Pele), Gozd (Španski borci/Danijela Zajc), Zasedanje (SMEEL/Branko Potočan), LOV-SREČE-LOV (Anton Podbevšek Teater/Jernej Bizjak), Ritual: Iz glasine (Dom kulture Kamnik/Neža Pele). V sklopu magistrskega študija na AGRFT je pod mentorstvom prof. Zale Dobovšek ustvarila dokumentarno kvir instalacijo Poišči moškega/Dan odprtih vrat, ki se je predstavila na AGRFT Dnevu performansa in Borštnikovem performativu v Mariboru.

Kot samostojna performerka je nastopila na festivalih Rdeče Zore, Lezbična četrt, Plavajoči grad, Rdeči revirji, Fekete Zaj, Dobimo se pred ŠKUC-em. Sodelovala je s Katzen in Kokblok kabarejem in redno sodeluje pri soustvarjanju predstav Cirkus na mesec (Vitkar/Priden možic).

Tajda Podobnik je leta 2014 uspešno zaključila študij sodobnega in jazz plesa na Akademiji za ples v Ljubljani, kjer je pridobivala znanje pod mentorstvom priznanih koreografov in plesnih pedagogov. Njena plesna pot je zelo raznolika in bogata, saj je sodelovala pri številnih avtorskih projektih, plesnih, cirkuških, uličnih in gledaliških predstavah. Kot plesalka je bila vključena v dela različnih uglednih koreografinj, kot so Jana Menger, Kjara Starič Wurst, Vita Osojnik, Uršula Teržan, Veronika Valdés in Snježana Premuš. Prav tako je sodelovala s koreografskim dvojcem De.not iz Hrvaške, kolektivom Bitnamuun ter v dogodkih z umetniško skupnostjo SZ3.

Od leta 2015 je redna članica plesne skupine Fourklor, ki jo vodi Branko Potočan, s katero je najbolj aktivna. V okviru skupine Fourklor sodeluje pri ustvarjanju cirkuških kabaretov in plesnih predstav, kjer deluje kot plesalka, cirkusantka, soustvarjalka predstav ali asistentka koreografije. Kot cirkusantka se posebno posveča zračnim disciplinam, kot so vrv, tkanine in obroč.

Leta 2015 je prvič sodelovala z režiserjem Jašo Kocelijem, sprva kot plesalka, kasneje pa je od leta 2017 prevzela tudi vlogo koreografinje pri dramskih predstavah in operah. Leta 2022 je svoje sodelovanje z njim razširila še na področje asistence režije. Skupaj z Jašo in njegovo ekipo je imela priložnost ustvarjati mednarodne projeke na Madžarskem, Češkem, v Litvi in Srbiji.

Tajda je svojo akademsko pot nadgradila leta 2021, ko je na Akademiji za gledališče, radio, film in televizijo (AGRFT) zaključila magistrski študij, program Umetnost giba. Njena interdisciplinarna praksa združuje ples, cirkus, koreografijo in režijsko asistenco, kar ji omogoča celosten pristop k umetniškemu ustvarjanju in sodelovanju pri raznolikih projektih.

INFO. / REZ.: En knap,mojekarte

Vstopnice / Tickets: 12€

Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture