Magdalena Reiter
BLIŽNJI PLANI - PREMIERA / CLOSE-UPS - PREMIERE
solo plesna predstava / a solo dance performance
Koreografija in ples / Choreography and Dance: Magdalena Reiter
Glasba / Music: Mitja Vrhovnik Smrekar
Skladba / Composition Demon Host: Timber Timbre
Dramaturgija / Dramaturgy: Andreja Kopač
Oblikovanje prostora / Space Design: Ajda Tomazin
Kostumografija / Costume Design: Zarja Predin
Asistentka koreografije / Choreography Assistant: Lada Petrovski Ternovšek
Oblikovanje svetlobe / Lighting Design: Magdalena Reiter
Fotografija / Photography: Darja Štravs Tisu
Video: Matjaž Mrak
Stiki z javnostjo / Public Relations: Urška Comino
Tehnični vodja / Technical Manager: Danilo Pečar
Produkcija / Produced by: Zavod Mirabelka
Koprodukcija / Co-produced by: Plesni Teater Ljubljana
Zahvale / Special Thanks: Janez Burger, Mateja Koležnik, Katja Somrak, Luka Curk, CK Španski Borci
Projekt sofinancira / Co-funded by: Mestna občina Ljubljana, Oddelek za kulturo / Municipality of Ljubljana, Department for Culture
INFO / REZ: ptl@mail.ljudmila.org, info@ptl-lj.si, Moje karte
Vstopnice / Tickets: 7/5 € (dijaki, študenti, upokojenci / scholars, students, seniors), predhodna rezervacija ali uro pred predstavo v gledališču / prior reservation or an hour before the performance at the theatre
Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture
O predstavi
Bližnji plani izpostavljajo materialnost telesa, ki ni motivirana psihološko, temveč izhaja iz specifičnih fizičnih principov in praks. Avtorica telo obravnava kot objekt, napolnjen z delci informacijin referenc. V vsakem od petih delov predstave se avtorica osredotoča na posamično fizično nalogo, preko katere raziskuje povezave med materialnostjo telesa in potencialno materialnostjo emocije. Koreografski »bližnji plani« so orodje za gradnjo in razgradnjo novih potencialnih teles, sestavljenih iz (ne)logičnih povezav in funkcij.
V prostoru, očiščenem konotacij, tako v živo nastaja arhitektura gibov, ki nenehno razpadajo in se ponovno sestavljajo, in s tem ustvarjajo nepredvidljiv tok dogodkov.
About the performance
The solo performance Close-ups works on the materiality of the body. This does not stem from psychological motivations but from physical principles and practices. The performer/choreographer treats the body as an object filled with particles of information and references. In each of the five parts of the performance the focus is placed on a single physical task, through which the link between the materiality of the body and the potential materiality of emotion is being explored. Choreographic “close-ups” are tools for construction and deconstruction of potential new bodies, composed of illogical functions and connections.
In the space without references, the architecture of movements is composed in the moment, constantly falling apart and re-assembling, thus create unforeseeable course of events.