• Domov/Home
  • Program/Programme
    • Junij / June 2025
  • Novice/News
  • Razpisi/Open Calls
  • Produkcije/Productions
    • Available for tour/Na voljo za gostovanja
    • Productions/Produkcije
    • Kulturno-umetnostna vzgoja
  • Festivali
    • RAIL2DANCE4UKREP
    • RAIL2DANCE
    • UK[REP] 2022
    • U[KREP] #2 - NOVA SEDANJOST / NEW PRESENT
    • U[KREP] 2020
    • MedUkrep 2019
    • Ukrep 2018: ENTER!
    • MedUkrep 2017
    • UkreP ZA 2016 / Taking Measures - Hope For 2016
  • O NAS/ABOUT US
    • PTL
    • Gledališče/Venue
    • Partnerji/Partners
    • Podporniki/Supporters
  • Naročite se na novice/Subscribe
  • VSTOPNICE/TICKETS
  • Arhiv programa / Programme archive
    • Maj / May 2025
    • April 2025
    • Marec / March 2025
    • Februar / February 2025
    • Januar / January 2025
    • December 2024
    • November 2024
    • Oktober / October 2024
    • September 2024
    • Avgust / August 2024
    • Junij in julij / June and July 2024
    • Maj / May 2024
    • April 2024
    • Marec / March 2024
    • Februar / February 2024
    • Januar / January 2024
    • December 2023
    • November 2023
    • Oktober / October 2023
    • September 2023
    • Avgust / August 2023
    • RAIL2DANCE4UKREP program festivala
    • Junij / June 2023
    • Maj / May 2023
    • April 2023
    • Marec/March 2023
    • Februar / February 2023
    • Januar / January 2023
    • December 2022
    • November 2022
    • Oktober/October 2022
    • September 2022
    • Avgust/August 2022
    • Julij/July 2022
    • Junij/June 2022
    • UK[REP] 2022
    • Maj/May 2022
    • April 2022
    • Marec/March 2022
    • Februar/February 2022
    • Januar/January 2022
    • December 2021
    • November 2021
    • Oktober/October 2021
    • September 2021
    • Avgust/August 2021
    • Junij/June 2021
    • April 2021
    • Marec/March 2021
    • Februar/February 2021
    • Januar/January 2021
    • December 2020
    • November 2020
    • Oktober/October 2020
    • September 2020
    • Julij/July 2020
    • Junij/June 2020
    • Maj/May 2020
    • April 2020
    • Marec/March 2020
    • Februar/February 2020
    • Januar/January 2020
    • December 2019
    • November 2019
    • Oktober/October 2019
    • September 2019
    • Avgust/August 2019
    • Julij/July 2019
    • Junij/June 2019
    • Maj/May 2019
    • April 2019
    • Marec/March 2019
    • Februar/February 2019
    • Januar/January 2019
    • December 2018
    • November 2018
    • Oktober/October 2018
    • September 2018
    • Avgust/August 2018
    • Junij/June 2018
    • Maj/May 2018
    • April 2018
    • Marec/March 2018
    • Februar/February 2018
    • Januar/January 2018
    • December 2017
    • November 2017
    • Oktober/October 2017
    • September 2017
    • Avgust/August 2017
    • Junij/June 2017
    • Maj/May 2017
    • April 2017
    • Marec/March 2017
    • Februar/February 2017
    • Januar/January 2017
    • December 2016
    • November 2016
    • Oktober/Octobre 2016
    • September 2016
    • Junij/June 2016
    • Maj/May 2016
    • April 2016
    • Marec/March 2016
    • Februar/February 2016
    • Januar/January 2016
    • December 2015
    • November 2015
    • Oktober/October 2015
    • September 2015
    • Junij/June 2015
    • Maj/May 2015
    • April 2015
    • Marec/March 2015
    • Februar/February 2015
    • Januar/January 2015
    • December 2014
    • November 2014
    • Oktober/October 2014
    • September 2014
    • Junij/June 2014
    • Maj/May 2014
    • April 2014
    • Marec/March 2014
    • Februar/February 2014
    • Januar/January 2014
    • December 2013
    • November 2013
    • Oktober/October 2013
    • September 2013
    • Junij/June 2013
    • Maj/May 2013
    • April 2013
    • Marec/March 2013
    • Februar/February 2013

Plesni Teater Ljubljana

  • Domov/Home
  • Program/Programme
    • Junij / June 2025
  • Novice/News
  • Razpisi/Open Calls
  • Produkcije/Productions
    • Available for tour/Na voljo za gostovanja
    • Productions/Produkcije
    • Kulturno-umetnostna vzgoja
  • Festivali
    • RAIL2DANCE4UKREP
    • RAIL2DANCE
    • UK[REP] 2022
    • U[KREP] #2 - NOVA SEDANJOST / NEW PRESENT
    • U[KREP] 2020
    • MedUkrep 2019
    • Ukrep 2018: ENTER!
    • MedUkrep 2017
    • UkreP ZA 2016 / Taking Measures - Hope For 2016
  • O NAS/ABOUT US
    • PTL
    • Gledališče/Venue
    • Partnerji/Partners
    • Podporniki/Supporters
  • Naročite se na novice/Subscribe
  • VSTOPNICE/TICKETS
  • Arhiv programa / Programme archive
    • Maj / May 2025
    • April 2025
    • Marec / March 2025
    • Februar / February 2025
    • Januar / January 2025
    • December 2024
    • November 2024
    • Oktober / October 2024
    • September 2024
    • Avgust / August 2024
    • Junij in julij / June and July 2024
    • Maj / May 2024
    • April 2024
    • Marec / March 2024
    • Februar / February 2024
    • Januar / January 2024
    • December 2023
    • November 2023
    • Oktober / October 2023
    • September 2023
    • Avgust / August 2023
    • RAIL2DANCE4UKREP program festivala
    • Junij / June 2023
    • Maj / May 2023
    • April 2023
    • Marec/March 2023
    • Februar / February 2023
    • Januar / January 2023
    • December 2022
    • November 2022
    • Oktober/October 2022
    • September 2022
    • Avgust/August 2022
    • Julij/July 2022
    • Junij/June 2022
    • UK[REP] 2022
    • Maj/May 2022
    • April 2022
    • Marec/March 2022
    • Februar/February 2022
    • Januar/January 2022
    • December 2021
    • November 2021
    • Oktober/October 2021
    • September 2021
    • Avgust/August 2021
    • Junij/June 2021
    • April 2021
    • Marec/March 2021
    • Februar/February 2021
    • Januar/January 2021
    • December 2020
    • November 2020
    • Oktober/October 2020
    • September 2020
    • Julij/July 2020
    • Junij/June 2020
    • Maj/May 2020
    • April 2020
    • Marec/March 2020
    • Februar/February 2020
    • Januar/January 2020
    • December 2019
    • November 2019
    • Oktober/October 2019
    • September 2019
    • Avgust/August 2019
    • Julij/July 2019
    • Junij/June 2019
    • Maj/May 2019
    • April 2019
    • Marec/March 2019
    • Februar/February 2019
    • Januar/January 2019
    • December 2018
    • November 2018
    • Oktober/October 2018
    • September 2018
    • Avgust/August 2018
    • Junij/June 2018
    • Maj/May 2018
    • April 2018
    • Marec/March 2018
    • Februar/February 2018
    • Januar/January 2018
    • December 2017
    • November 2017
    • Oktober/October 2017
    • September 2017
    • Avgust/August 2017
    • Junij/June 2017
    • Maj/May 2017
    • April 2017
    • Marec/March 2017
    • Februar/February 2017
    • Januar/January 2017
    • December 2016
    • November 2016
    • Oktober/Octobre 2016
    • September 2016
    • Junij/June 2016
    • Maj/May 2016
    • April 2016
    • Marec/March 2016
    • Februar/February 2016
    • Januar/January 2016
    • December 2015
    • November 2015
    • Oktober/October 2015
    • September 2015
    • Junij/June 2015
    • Maj/May 2015
    • April 2015
    • Marec/March 2015
    • Februar/February 2015
    • Januar/January 2015
    • December 2014
    • November 2014
    • Oktober/October 2014
    • September 2014
    • Junij/June 2014
    • Maj/May 2014
    • April 2014
    • Marec/March 2014
    • Februar/February 2014
    • Januar/January 2014
    • December 2013
    • November 2013
    • Oktober/October 2013
    • September 2013
    • Junij/June 2013
    • Maj/May 2013
    • April 2013
    • Marec/March 2013
    • Februar/February 2013
  • Menu

15. do 17. 6. - UKREP 2014 Festival plesnih perspektiv

May 30, 2014

UKREP 2014, Festival plesnih perspektiv

UKREP / Taking Measures / 2014, Festival of dance perspectives

KAKO PLESATI V PRIHODNOST

Za sodobni ples, za ustvarjalnost mladih se je treba zavzeti. Umetnost nam da videti, slišati, čutiti, misliti. Je iz sveta, a je hkrati njegova razlika, presežek. Sodobni ples omogoča prostor za raziskovanje, eksperimentiranje, učenje, tveganje, opazovanje, dialog; komunikacijo z drugimi. Skozi sodobni ples lahko konstruiramo, preoblikujemo, se upiramo konvencijam in narekom. Odkrivamo naše zmožnosti na drugi strani meja. Kako v tem času in prostoru odpirati perspektive za mlade, za prihajajoče generacije – na tem ves čas kontinuirano delujemo. Na Ukrepu 2014 se bodo predstavili ustvarjalci s svojimi idejami, razmišljanji, zgodbami, znanji; tudi vprašanjem: »Kako živeti, plesati v prihodnost?« V svoje akcije in reakcije vabijo gledalce, da z njimi na kreativen način preživijo nekaj časa. Skozi tri dneve Ukrepa bomo lahko deležni plesanja, ustvarjanja, pripovedovanja, druženja... na ravni intimnega in družbenega; deležni bomo iskanj odgovorov, odpiranj vprašanj; predvsem – kaj danes zaznamuje ustvarjanje mladih.

Sinja Ožbolt

U[KRE]PANJE

Vsaka beseda je nekako odveč, če govorimo o tistem, kar naj bi bil letošnji Ukrep. Pa sploh ne gre za to, da se ne bi hoteli pogovarjati, se pomenkovati ali načrtovati – nasprotno, tega je še več, in poteka sproti, okoli nas, nekako ves čas. Klije in brbota, vendar temu ne bi rekla mladi, temu bi rekla pripravljeni ukrepati. Narediti svojo točko, svoj projekt, svojo predstavo, ali narediti platformo, kjer vse to lahko dobi vidnost in zaživi v novem kontekstu. Letošnji Ukrep bo za tri dni skupno mesto prikazovanja različnih plesnih iniciativ kot presek tistega, kar delajo mladi plesalci in plesalke sami oziroma so pridobili na delavnicah s koreografoma Gregorjem Luštkom in Edoardom Torrojo. Proces izobraževanja je potekal po principu aktivnega delovanja. Plesni teater Ljubljana bodo za tri dni zasedli mladi slovenski plesalci in koreografi, ki delujejo oziroma se šolajo v Sloveniji ali tujini, v Salzburgu, Linzu, Amsterdamu. Naloga, ki si zastavljamo 2014, je odpreti prostor in pripeljati iniciative skupaj, da se spletejo nove vezi, ki bodo u[kre]pale naprej.

Andreja Kopač

HOW TO DANCE INTO THE FUTURE

Contemporary dance and the creativity of the young is something to stand up for. Art makes us see, hear, feel, think. It comes from this world, but at the same time it is its distinction and surplus. Contemporary dance provides space to explore, experiment, learn, take chance, observe, engage in a dialogue communicate with others. Through contemporary dance, we can construct, transform and resist conventions and dictates. We are discovering our capabilities beyond the borders. How to open up perspectives for the young, for the coming generations in this day and age – this is something that we are continually working on. This year’s Ukrep/Taking Measures – Festival of Dance Perspectives will showcase artists with their ideas, their refl ections, their stories, their skills, and also with a question: “How to live, to dance into the future?” They invite viewers into their actions and reactions, to spend some time with them in a creative way. Throughout the three days of Ukrep, we will be able to enjoy dancing, creativity, storytelling, socializing... on both intimate and social level. We will observe questioning and searching for answers; in particular: what is the creativity of the young characterized by these days.

Sinja Ožbolt

TAKING MEASURES

Every word seems to be redundant when talking about what this year’s Ukrep should be about. But it’s not at all about not wanting to talk about it, discuss it or plan it – on the contrary, all this is happening in abundance, constantly, incessantly in a way. It’s springing up and bubbling, but I would not call it young, I would call it willing. To take measures, to create one’s own piece, one’s own project, one’s own performance, to form a platform where all this can gain visibility and come to life in a new context. For three days, this year’s Ukrep will become a common place for presenting various dance initiatives, as an intersection of the young dancers’ own work and the skills they acquired in workshops with choreographs Gregor Luštek and Eduardo Torroja. The educational process was conducted on the principle of active participation. For three days, Dance Theatre Ljubljana will be occupied by young Slovenian dancers and choreographers, working or studying home and abroad, in Salzburg, Linz, Amsterdam. Our task for 2014 is to open up space and bring together the initiatives, to weave new bonds that will continue to take measures.

Andreja Kopač

Produkcija / Production: Plesni Teater Ljubljana, 2014 > Oblikovanje programa / Festival Program: Andreja Kopač, Sinja Ožbolt > Organizacija / Organization: Živa Brecelj, Katja Somrak, Andreja Kopač, Sinja Ožbolt > Tehnična podpora / Technical Support: Grega Mohorčič, Janko Oven, Aljaž Zaletel > Tekst / Text: Plesni Teater Ljubljana > Prevodi / Translations: Tadej Turnšek > Grafično oblikovanje / Graphic Design: Nune Production > Tisk / Printing: Collegium Graphicum > Zahvala / Thanks to: JSKD in Nina Meško

UKREP 2014, Festival plesnih perspektiv sodi v program Plesnega Teatra Ljubljana. Program Plesnega Teatra Ljubljana je v javnem interesu na področju kulture in umetnosti ter ga sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana.

UKREP 2014 (TakingMeasures 2014), Festival of Dance Perspectives is a programme of Plesni Teater Ljubljana / Dance Theatre Ljubljana. The programmes of Plesni Teater Ljubljana is in public interest in the field of culture and the arts, and is subsidized by the Ministry of Culture of the Republic of Slovenia and the Municipality of Ljubljana.

INFO / REZ: 041 365-184, 041 707-475, ptl@mail.ljudmila.org, info@ptl.si

Vstopnice * Tickets: cena celodnevne vstopnice / daily tickets: 6 / 4 € (dijaki, študentje in upokojenci / scholars, students and retired) uro pred predstavo v gledališču / an hour before the performance in the theatre

IMG_3347.JPG
IMG_3417.JPG
IMG_3426.JPG

Foto / Photo: Sunčan Stone

NEDELJA, 15. 6. - 18.00

UKREP: OTVORITEV

ZGODBE TELES: izbor avtorskih solov, Srednja vzgojiteljska šola in gimnazija Ljubljana, umetniška gimnazija (smer: sodobni ples): Alja Lackovič, Petra Peček, Julija Šuštar, Maja Koražija, Anamaria Klajnšček, Julija Pečnikar

INDIFFILARITY: Barbara Vuzem, Jerca Rožnik Novak, Veronika Cimborova

GILJOTINA ODLOČITVE: Jan Rozman, Alja Ferjan

WHIMSY: Beno Novak & Myrto Afroditi

15. 6. - 20.00

DŽIBRIŠ: Gregor Luštek

15. 6. - 21.00

OTVORITVENO DRUŽENJE: PTL & Prulček bar

 

PONEDELJEK, 16. 6. - 15.00

HERmIna, predstavitev študentskih del in pogovor - Lara Bubić, Anja Rupnik, Kasija Urbanac, mentor: Rok Vevar

16. 6. - 18.00

GARDENFOUND: Staša Tušar

TEŽA PESKA: Kaja Vajdetič

ŽELIM SI ZMAGATI: Žigan Kranjčan

SKOZI LED: April Veselko

ZUNAJ SEBE: Veronika Valdés

WASTED: Goran Kusić

EVERY NOW AND THEN I GET A LITTLE BIT LONELY: Katarina Kavčič

16. 6. - 20.00

TEORIJA STRUN: Ajda Tomazin

16. 6. - 21.00

FESTIVALSKO DRUŽENJE: PTL & Prulček bar

 

TOREK, 17. 6. - 18.00

Plesati v prihodnost: 6 MINUT O PLESU - diskusija, moderatorji: Rok Vevar, Sinja Ožbolt, Andreja Kopač

17. 6. - 19.00

4 V VRSTO: Tina Benko, Neža Jamnikar, Tajda Podobnik, Veronika Valdés

17. 6. - 20.30

NOSILCI TELESA: Eduardo Torroja

17. 6. - 22.00

DIŠI PO JAZZU - koncert, Nino de Gleria (bas), Luka Ropret (kitare), Blaž Celarec (bobni), Drago Ivanuša (klaviature)

SUNDAY, June 15 - 6 p.m.

UKREP 2014: OPENING

STORIES OF BODIES: selection of original solo performances, SVŠGL, Art Gymnasium (contemporary dance department): Alja Lackovič, Petra Peček, Julija Šuštar, Maja Koražija, Anamaria Klajnšček, Julija Pečnikar

INDIFFILARITY: Barbara Vuzem, Jerca Rožnik Novak, Veronika Cimborova

THE GUILLOTINE OF DECISION: Jan Rozman, Alja Ferjan

WHIMSY: Beno Novak & Myrto Afroditi

June 15 - 8 p.m.

GIBBERISH: Gregor Luštek

June 15 - 9 p.m.

INAUGURAL GATHERING: PTL - Dance Theatre Ljubljana & Prulček bar

 

MONDAY, June 16 - 3 p.m.

HERmIna, Presentation of student work and conversation - Lara Bubić, Anja Rupnik, Kasija Urbanac, mentor: Rok Vevar

June 16 - 6 p.m.

GARDENFOUND: Staša Tušar

THE WEIGHT OF SAND: Kaja Vajdetič

I WANT TO WIN: Žigan Kranjčan

THROUGH THE ICE: April Veselko

OUTSIDE MYSELF: Veronika Valdés

WASTED: Goran Kusić

EVERY NOW AND THEN I GET A LITTLE BIT LONELY: Katarina Kavčič

June 16 - 8 p.m.

STRING THEORY: Ajda Tomazin

June 16 - 9 p.m.

FESTIVAL GATHERING: PTL - Dance Theatre Ljubljana & Prulček bar

 

TUESDAY, June 17 - 6 p.m.

To dance into the future: 6 MINUTES ABOUT DANCING (discussion), moderators: RokVevar, Sinja Ožbolt, Andreja Kopač

June 17 - 7 p.m.

CONNECT 4 / 4 IN A ROW: Tina Benko, Neža Jamnikar, Tajda Podobnik, Veronika Valdés

17. 6. - 8.30 p.m.

BODY CARRIERS: Eduardo Torroja

17. 6. - 10 p.m.

SMELLS LIKE JAZZ - concert, Nino de Gleria (bass guitar), Luka Ropret (guitars), Blaž Celarec (drums), Drago Ivanuša (keyboards)

NEDELJA, 15. 6. ob 18.00: SVŠGL: VEČER AVTORSKIH SOLOV

 

Zgodbe teles: Izbor avtorskih solo plesov dijakinj  četrtega letnika SVŠGL

Produkcija: SVŠGL, Emanat

Finančna podpora: Ministrstvo za kulturo RS, Mestna občina Ljubljana

Večer avtorskih solov dijakinj četrtega letnika umetniške gimnazije Ljubljana, smer sodobni ples, je poleg produkcije vseh štirih letnikov format, ki ga zavod Emanat in Srednja vzgojiteljska šola in gimnazija Ljubljana (SVŠGL) pripravljata od leta 2003 naprej. Gre za krajše solo koreografije maturantk plesne smeri, ki pri pripravi solov samostojno raziskujejo izbrano temo in razvijajo lastne koreografske pristope. Letošnja tema se navezuje na teoretsko delo Poetika sodobnega plesa avtorice LaurenceLouppe in predstavlja zgodbe teles plesalk, ki so nastajale pod mentorstvom Petre Pikalo.

 

Alja Lackovič: Individuum

Pina Bausch: »Plešite, plešite, drugače smo izgubljeni.«. Gre za citat, ki se mu lahko najbolj približam, saj je ples obenem nekaj, kar neizmerno obožujem in nekaj, kar me lahko najbolj prizadene.

 

Petra Peček: Dresura svobode

Še enkrat! Še večkrat! Ni še svobodno! V štirih letih sem prejela veliko informacij o telesu in plesu, ki so si bile pogosto nasprotujoče.

Glasba: mix Petra Peček, EKKO – Rehearsal

 

Julija Šuštar: Časovna dimenzija giba

Gibanje telesa, ki ga čas popelje po prostoru, ga upočasni in zavira do trenutka,

ko se telo popolnoma ustavi in zavzame določeno pozicijo. V stanju mirovanj čas teče dalje.

 

Maja Koražija: Zavajajoče telo

Kako čustva vplivajo na moje gibanje? Kako gibanje vpliva na moja čustva? Lahko čustvo prenesem v gib in nato z gibanjem izzovem to isto razpoloženje? Kako na to reagira gledalec?

Glasba: 2cellos: Hurt

 

Anamaria Klajnšček: Nosim težo svojega telesa

Moja teža, moja gravitacija. Zavedna ali nezavedna? Kdaj? Zakaj? Kako?

Popolna ali popolnoma odvzeta. Osredotočena. Videnje telesa, ki se trga iz težnosti.

Glasba: Steve Reich

 

Julija Pečnikar: Še paše

Hedonizem – nazor, da je cilj človekovega življenja uživanje.

Glasba: Gašper Divjak,  Le temps de l'amour – Françoise Hardy

SUNDAY, June 15, 6 p.m.: SVŠGL: AN EVENING OF ORIGINAL SOLO DANCE


Stories of Bodies: a selection of original solo pieces by fourth-year students of SVŠGL

Produced by: SVŠGL, Emanat

Financial support: Ministry of Culture, Municipality of Ljubljana

An Evening of original solo pieces by fourth-year students of contemporary dance at the Art Gymnasium Ljubljana is an event organized by Emanat Institute and SVŠGL - Pre-School Education and Grammar School Ljubljana since 2003. It consists of short solo dance choreographies by graduates ofthe dance department, exploring independently the chosen theme and developing their own choreographic approaches. This year’s theme is linked to a theoretical work Poetics of Contemporary Dance by Laurence Louppe, presenting the stories of the dancers’ bodies, created under the mentorship of Petra Pikalo.


Alja Lackovič: Individuum

»Dance, dance, or we are lost.« It is this quote by Pina Bausch that I can relate to the most, as dancing is both something that I love immensely and something that hurts and damages me the most.


Petra Peček: Dressage of freedom

Once more! Several times more! It is not yet free! In the four years, I have received a lot of information about the body and dance, many times contradictory.

Music: Petra Peček mix, EKKO – Rehearsal


Julija Šuštar: Time dimension of a movement

Movement of the body, led across the space by time, slowed down and delayed until the moment when it stops completely and assumes a particular position. In a still position, time continues to run.


Maja Koražija: Deceptive body

How do emotions affect my movement? How does movement affect my emotions? Can I transfer an emotion to a movement and then provoke that same sentiment with a movement? How does a spectatorreact to this?

Music: 2CELLOS: Hurt


Anamaria Klajnšček: I carry the weight of my body

My weight, my gravity. Conscious or unconscious? When? Why? How? Complete or completely withdrawn. Focused. Vision of a body, breakingfrom gravity.

Music: Steve Reich


Julija Pečnikar: It still feels good

Hedonism – a school of thought according to which pleasure is the goal of life.

Music: Gašper Divjak;Françoise Hardy: Le temps de l'amour

Barbara Vuzem, Jerca Rožnik Novak, Veronika Cimborova: INDIFFILARITY 

Koreografija: Barbara Vuzem in plesalki

Plešeta: Jerca Rožnik Novak in Veronika Cimborova

Glasba: Robert HenkeLayer 006

Vizualna podobnost lahko vsebuje optično iluzijo. Vizualni interes lahko vodi do individualnih detajlov. S tem opazimo, da zunanji del nima nobene povezave z individualno sodbo. Kot posamezniki smo obsojeni na podobnost, ko želimo izstopiti iz zaznave drugih podobnih ljudi.

Jerca Rožnik Novak (1992, Ljubljana) je po končani Srednji vzgojiteljski šoli in gimnaziji Ljubljana (SVŠGL), umetniška gimnazija, smer sodobni ples, šolanje nadaljevala na akademiji Anton Bruckner v Linzu (Avstrija), kjer končuje tretji letnik. Sodelovala je pri avtorskih predstavah, kot na primer v večkrat nagrajeni predstavi The Daddy project . 

Veronika Cimborova (1993, Banska Bistrica, Slovaška) letos končuje drugi letnik programa IDA (Institute for Dance Arts) v Linzu. Nastopala je na festivalih: v Belgiji, Španiji Bratislavi, Linzu in na Madžarskem.

Barbara Vuzem (1991, Maribor). Po končani SVŠGL, smer sodobni ples, je šolanje nadaljevala na akademiji Anton Bruckner v Linzu. Kot plesalko jo zanima povezovanje občutljivosti in moči; tudi humor.


Alja Ferjan in Jan Rozman: GILJOTINA ODLOČITVE

Zasnova in izvedba: Alja Ferjan, Jan Rozman

Glasba: Dean Martin – That’s Amore

Ta miniatura je želja po ljubezni. Čeprav seje sovraštvo. Ta miniatura je želja po drugi osebi. Čeprav hoče biti sama. Ta miniatura je idealna kombinacija! Čeprav je obsojena na propad. Ta miniatura je duet. Čeprav je dva sola. Ta miniatura je vedno nekaj drugega! Ta miniatura se pleše neprestano! Ta miniatura hoče živeti. Želi si! Želi!

Alja Ferjan je končala SVŠGL, umetniška gimnazija, smer sodobni ples. V letu 2010/11 je opravila letnik na akademiji School for New Dance Development v Amsterdamu. Nato se je posvetila avtorskemu delu.

Jan Rozman je gibalec, ustvarjalec in improvizator, ki je ustvaril že večje število avtorskih del, nazadnje celovečerno solo predstavo Ptičja demenca. Plesati je začel pri KD Qulenium v Kranju, nadaljeval na SVŠGL, umetniška gimnazija, smer sodobni ples. Študiral je koreografijo na SNDO v Amsterdamu. Trenutno zaključuje študij fizioterapije, razvija lasten odrski izraz in sodeluje pri različnih plesno-gledaliških projektih.


Afroditi Myrto Tricheili in  Beno Novak: WHIMSY

Zasnova in izvedba: Afroditi Myrto Tricheili in Beno Novak

Glasba: Ibrahim Maalouf / Paris; Robert Lippok / Whitesuperstructure (remixed)

Vsak od nas ima želje, ki si jih kot otroci, predano in na skrivaj zaželimo, preden gremo spat. Ali ne bi bilo lažje slediti mali nagajivi kaprici?  Ali ne bi tako hitreje uresničili svojih želja?

Afrodite Myrto Tricheili (1990, Atene) se je začela s plesom ukvarjati na državni plesni šoli v Atenah. Študirala je tudi novinarstvo ter kreativno pisanje. Študij nadaljuje na SEAD.

Beno Novak (1991, Kranj) je svojo plesno pot začel v KD Qulenium pod mentorstvom Saše Lončar, šolanje nadaljeval na SVŠGL, umetniška gimnazija, smer sodobni ples. Nastopal je v različnih gledališčih; soustvarjal pri več predstavah. Trenutno študira na SEAD.

Barbara Vuzem, Jerca Rožnik Novak, Veronika Cimborova: INDIFFILARITY

Choreography: Barbara Vuzem and the dancers

Dancers: Jerca Rožnik Novak and Veronika Cimborova

Music: Robert Henke layer 006

Visual similarity may contain optical illusion. Visual interest can lead to individual details. In this way, we notice that the outside part has no connection with individual judgment. As individuals, we are destined to similarity when trying to stand out of the perception of other similar people.

Jerca Rožnik Novak (1992, Ljubljana): after graduating at the SVŠGL/Pre-School Education and Grammar School Ljubljana (contemporary dance department), she continued her studies at the Anton Bruckner Academy in Linz (Austria), where she is completing her third year. She has participated in original performances, e.g. the multiple-award-winning The Daddy project.

Veronika Cimborova (1993, Banská Bystrica, Slovakia) is currently completing her second year of the IDA (Institute of Dance Arts) programme in Linz. She has performed at various festivals: in Belgium, Spain in Bratislava, Linz and Hungary.

Barbara Vuzem (1991, Maribor): after graduating at SVŠGL (contemporary dance department), Barbara Vuzem continued her studies at the Anton Bruckner University in Linz (Austria). As a dancer, she is interested in linking sensitivity and power; humor as well.


Alja Ferjan in Jan Rozman:THE GUILLOTINE OF DECISION

Concept and performance: Alja Ferjan, Jan Rozman

Music: Dean Martin: That’s Amore

This miniature is a wish for love. Although it is spreading hate. This miniature is a desire for another person. Although it wants to be alone. This miniature is an ideal combination! Although it is destined to fail. This miniature is a duet. Although it is two solos. This miniature is always something different. This miniature is danced constantly. This miniature wants to live. It longs. Yearns.

Alja Ferjan: graduated at SVŠGL (contemporary dance department). In 2010/11 she completed a year at the School for New Dance Development in Amsterdam. After that, she has committed to original work.

Jan Rozman is a mover, creator and improviser, who has already created a large number of original works, most recently a full-length solo performance Bird Dementia. He started dancing at the Qulenium Cultural Association in Kranj, continued at SVŠGL (contemporary dance department) and studied choreography at the School for New Dance Development (SNDO) in Amsterdam. He is currently a final year student of physiotherapy, is developing his own on-stage expression and participates in various dance-theatre projects.


Afroditi Myrto Tricheili and Beno Novak:WHIMSY

Concept and performance: Afroditi Myrto Tricheili and Beno Novak

Music: Ibrahim Maalouf: Paris; Robert Lippok: Whitesuperstructure (remixed)

Each one of us has desires that we long for, devoutly and secretly as a child, before we go to sleep. Wouldn’t it be easier to pursue this small mischievous caprice? Wouldn’t we realize our desires more quickly in this way?

Afrodite Myrto Tricheili (1990, Athens) engaged in dancing at the National School of Dance in Athens. She also studied journalism and creative writing. She continues her studies at SEAD.

Beno Novak (Kranj) began his dancing career at the Qulenium Cultural Association under the mentorship of Saša Lončar, continued his studies at SVŠGL (contemporary dance department). He has performed at various Slovenian theatres, co-created several performances. He is currently studying at SEAD.

NEDELJA, 15. 6. ob 20.00

 

Gregor Luštek: DŽIBRIŠ

Nastopajo: Enya Belak, Maša Hawlina, Alex Kodek, Tini Rozman, Urša Rupnik, April Veselko,  Eni Vesović

Produkcja: Plesni Teater Ljubljana

Džibriš je izmišljen ponavljajoči se jezik, ki se uporablja kot igralska tehnika oziroma kot orodje za opazovanje lastnega telesa v različnih čustvenih situacijah in stanjih, kar omogoča nenehno živo prisotnost gibalne intence plesalk in plesalcev na odru. V tem procesu deluje intuitivni moment plesalca, ko namesto telesa izstopi osebnost, ki preko besed ne pride več v stik z okoljem, temveč potrebuje nov, izmišljeni jezik, ki temelji na intenzivno fizični ravni. Pri tem ne gre toliko za proces koreografiranja kot za iskanje situacijskih nastavkov, ki soobstajajo v prostoru in času in skozi izmišljen jezik džibriš omogočajo slišati gib, poslušati telo, videti trenutek. Ko koreografija začne zveneti, jo gledalec več ne gleda, temveč začne poslušati.

Gregor Luštek (1973, Novo mesto) je študiral je na Fakulteti za šport. Njegovo plesno znanje je skup različnih plesnih tehnik: balet, cunningham, horton, jazz balet, release, lemon, partnering, kontaktna improvizacija. Njegovo osnovno vodilo v izražanju in prepoznavanju je mehek in hkrati atletski gib. Je uveljavljen sodobno-plesni ustvarjalec, ki je sodeloval s ključnimi pobudniki in ustanovitelji sodobne plesne umetnosti v Sloveniji. Skupaj s plesalko in koreografinjo Rosano Hribar delujeta kot koreografa v tandemu. Ustvarila sta plesne duete, za katere sta bila doma in v tujini večkrat nagrajena. V zadnjem času kot koreograf in asistent režije največ sodeluje z režiserjem Jernejem Lorencijem.

SUNDAY, June 15, 8 p.m.

 

Gregor Luštek: GIBBERISH

Performing: Enya Belak, Maša Hawlina, Alex Kodek, Tini Rozman, Urša Rupnik, April Veselko, Eni Vesović

Produced by: PTL – Dance Theatre Ljubljana

Gibberish is a recurring fictional language, used as an acting technique or as a tool for observing one’s own body in different emotional situations and conditions, enabling constant live presence of physical intention of the dancers on stage. In this process, an intuitive moment of the dancer is working, where instead of the body emerges the personality which via words can no longermake contact with the environment but needs a new, fictional language, based on intense physical level. It is not so much about the process of choreographing as a search for situational bits, coexisting in space and time which through the fictional language (gibberish) enable to hear a movement, to listen to the body, to see a moment. When choreography begins to sound, the viewer no longer watches it, he begins to listen.

Gregor Luštek (1973, Novo mesto) studied at the Faculty of Sport. His dance skills are a collection of different dance techniques: ballet, Cunningham, Horton, jazz-ballet, Release, Lemon, Partnering, Contact Improvisation. His basic principle of expression and recognition is a sleek and at the same time athletic movement. He is a well-established contemporary dance artist, who has collaborated with the key initiators and founders of contemporary dance in Slovenia. Together with dancer and choreographer Rosana Hribar they act as choreographic duo. They also create dance duets that have won several awards, both in Slovenia and abroad. Recently, he has collaborated as choreographer and assistant director a lot with director Jernej Lorenci.

PONEDELJEK, 16. 6. ob 15.00

 

HERmIna

Predstava HERmIna združuje tri različne pristope k temi, ki bazira na osnovi teksta knjige Stepski volk Hermana Hesseja. Obravnava eksistencialno vprašanje človeka, ki v sebi občuti podvojenost med človekom in volkom. Prav to razdvojenost bo pokazala s svojim subjektivnom pristopom Anja Rupnik s plesom kot avtonomno umetnostjo, Lara Bubić skozi odnos do prostora in Kasija Vrbanac z uporabo naracije in igre. V plesu prihaja do redukcije vseh estetskih in reprezentacijskih elementov, s tem do čistega giba. Glavna točka interesa je interakcija telesa s prostorom, v katerem deluje. Selekcija izbranih ambientov se prikazuje znotraj predstave z video projekcijo- prostorski hibrid, preoblikovan s telesom. Vse tri avtorice so študentke na Akademiji za ples v Ljubljani, smeri sodobni in džez ples.

Mentorji: Brina Vogelnik, Rok Vevar; Rosana Horvat, Urša Rupnik,

Po predstavi bo potekal voden pogovor z avtoricami, moderatorjem Rokom Vevarjem in izbranimi gosti.

MONDAY, June 16, 3 p.m.

 

HERmIna

The performance HERmIna combines three different approaches to a theme based on the novel Steppenwolf  by Hermann Hesse. It deals with the existential issue of a person who feels duality of a wolf and human inside himself. It is this duality that will be shown by Anja Rupnik with her subjective approach to dance as an autonomous art form, Lara Bubić through relationship to space, and Kasija Vrbanac with the use of narrative and play. In dance, all aesthetic and representation elements are lead to reduction, enabling a pure movement to occur. The main point of interest is the interaction of the body with the space in which it operates. Within the performance, a selection of ambiences is shown with video projection – a space hybrid, transformed by the body.

All three authors study at the Dance Academy in Ljubljana (contemporary and jazz dance departments). Mentors: Brina Vogelnik, Rok Vevar, Rosana Horvat, Urša Rupnik

The performance will be followed by a guided conversation with the dancers and selected guests (moderator: Rok Vevar).

PONEDELJEK, 16. 6. ob 18.00

 

Staša Tušar:  GARDENFOUND

Koreografija: Tanja Pavlič

Pleše: Staša Tušar

Glasba: Einstutzende Neubauten

Miniatura je nastala konec preteklega leta za Stašin nastop na gostovanju šole na Portugalskem. Staša Tušar je dijakinja 2. letnika gimnazije Bežigrad in 1. letnika umetniške gimnazije na Konservatoriju za glasbo in baletLjubljana (balet). Tanja Pavlič od zaključka študija baletne pedagogike na Royal Academy of Dance v Londonu poučuje balet in sodobne plesne tehnike na Konservatoriju za glasbo in balet Ljubljana. Pedagoško delovanje prepleta s koreografskim.

 

Kaja Vajdetič: TEŽA PESKA

Avtorski ples: Kaja Vajdetič

Glasba: OlafurArnalds

Ne čutim peska, ki izginja pod mojimi nogami in ne valovanja čolna, v katerem sedim. Plujem. Ampak, zakaj je pesek na mojem čolnu? Smešno, kolikšno težo imajo spomini.

Kaja Vajdetič (1997, Celje) od petega leta  pleše v Plesnem forumu Celje pod vodstvom Goge Stefanovič Erjavec. Do sedaj je v okviru Plesnega foruma Celje sodelovala pri velikem številu predstav in tudi na samostojnih nastopih v okviru JSKD.

 

Žigan Kranjčan:  ŽELIM SI ZMAGATI

Kaj si dejansko želim? Ne vem. Svet je poln manjših in malo večjih želja, ki se mi pojavljajo hipno. Vem, da moje želje impulzirajo v trebuhu, občutek je tak, kot bi tam nastajale. No, trenutno, ko to pišem, si želim zmagati.

Žigan Kranjčan (1995, Kranj) je dijak tretjega letnika SVŠGL, umetniška gimnazija, smer sodobni ples. Že od mladih let sodeluje z Matjažem Pograjcem, Miho Hočevarjem, Gašperjem Tičem, Ivano Djilas in Romano Kranjčan. Ukvarja se tudi z electric boogijem in hip hopom. Je član plesne skupine Abismo.

 

April Veselko: SKOZI LED

Avtorica, izvajalka in glasba: April Veselko

pesmi  spet. Želja. samo to preveč osebno. nihče ne ve zanje Ranljivost. Olajšanje - lahko jočeš? pomoč,  prosi zanjo! ti nikoli ne jočeš. svobodna, ponosna, ničesar nikomur dolžna Ne zaupaj. korak nazaj, ostaneš tiho kot se pričakuje za steklom. Le na površini. Hladna, oddaljena in nedostopna. Ledena kraljica.

April Veselko (1994, Maribor) je začela plesati v Plesni izbi Maribor, večkrat sodelovala na plesnem tekmovanju za najboljšo miniaturo Opus-1 in prejela več nagrad. Sodelovala je s Tino Valentan, Aleksandro Blagojević in SnježanoPremuš, pod mentorstvom katere je 2011 ustvarila prvi samostojni projekt Dvominein naslednje leto predstavoOstro in slano.

 

Veronika Valdés:  ZUNAJ SEBE

Avtorica in izvajalka, stilizacija glasbe in glas: Veronika Valdés
Kostumografija: Sara Smrajc Žnidarčič
Glasba: Auditory Hallucination
Geste v gibu, gib v gestah. Kako telo reagira ob sprožitvi telesnih gest. Kako vpliva zunanji glas na reakcije in akcije. Kdaj postaneta telo in zvok eno in obratno.

Veronika Valdés (1992, Ljubljana) je začela plesati 1996 na Oddelku za sodobni ples Konservatorija za glasbo in balet v Ljubljani in šolanje nadaljevala na SVŠGL, umetniška gimnazija, smer sodobni ples. Nastopala je na različnih festivalih in prireditvah, bila večkrat nagrajena. Kot soustvarjalka in izvajalka sodeluje  v profesionalnih projektih. Svoj prvenec Dan potem je postavila v PTL, 2012.

 

Goran Kusić:  WASTED

Avtorski solo ples

Glasba: Nina Simone: Black is the color of my true love's hair

Wasted je manifest in kritika položaja samega v poziciji ustvarjalca. Bipolarna narava dela izvira iz analize trivialnih dejavnikov potovanja skozi različne družbene in profesionalne dogodke, ki obenem navdušujejo in povzročajo ravnodušnost.

Goran Kusić je plesno pot začel 2003 v Plesnem Forumu Celje pod mentorstvom Goge Stefanović Erjavec, šolanje nadaljeval na SVŠGL, um. gimnazija, smer sodobni ples. Od leta 2013 študira na Amsterdamse Hogeschool voor de Kunsten, smer moderni gledališki ples. Sodeluje tudi v projektih zunaj akademije.

 

Katarina Barbara Kavčič: EVERY NOW AND THEN I GET LITTLE BIT LONELY

Koncept in izvedba: Katarina Barbara Kavčič

Glasba: Bonnie Tyler; Total Eclipse of the Heart

Solo, ki bi lahko bil tudi duet, je izraz mojega trenutnega stanja oziroma ne-stanja, iskanja ter raziskovanja. Dilema soočiti se ali ne, zapreti ali odpreti, opazovati ali biti opazovan, me popelje v iskanje happy place-a, kjer ti ni treba biti sam, tudi če ni nikogar naokoli, in kjer namesto slonov prevladujejo vijolične muhe.

Katarina Barbara Kavčič (Maribor) končuje šolanje na SEAD, v okviru katere je sodelovala pri različnih predstavah in projektih. Do sedaj je ustvarila tri avtorska dela. Deluje tudi kot mentorica in pedagoginja.

MONDAY, June 16, 6 p.m.

 

Staša Tušar: GARDENFOUND

Choreography: Tanja Pavlič

Performance: Staša Tušar

Music: Einstutzende Neubauten

This miniature was developed at the end of the last school year for Staša’s appearance during school visit to Portugal. She collaborated with Tanja Pavlič for the first time.

Staša Tušar is a second-year student at Gymnasium Bežigrad and a first-year student of the Arts Gymnasium at the Ljubljana Music and Ballet Conservatory (ballet department). Tanja Pavlič has graduated in ballet pedagogy at the Royal Academy of Dance in London and currently teaches ballet and contemporary dance techniques at the Ljubljana Music and Ballet Conservatory. She combines her pedagogical work with choreography.

 

Kaja Vajdetič: THE WEIGHT OF SAND

Original performance: Kaja Vajdetič

Music: Olafur Arnalds

I don’t feel the sand, disappearing beneath my feet, nor the rocking of the boat that I’m sitting in. I’m floating. But why is there sand on my boat? It’s funny that memories carry so much weight.

Kaja Vajdetič (1997, Celje) has been dancing at Celje Dance Forum under the mentorship of Goga Stefanović Erjavec since the age of 5. So far, she participated in numerous performances within Celje Dance Forum, as well as in solo performances within JSKD/ PFCA.

 

Žigan Kranjčan: I WANT TO WIN

What do I really want? I don’t know. The world is full of small and a little bigger wishes that appear to me instantaneously. I know that my wishes pulsate in my stomach, it feels like they are emerging there. Well, at the moment when I’m writing this, I want to win.

Žigan Kranjčan (1995, Kranj) is a third-year student at SVŠGL, Arts Gymnasium, contemporary dance department. From an early age, he cooperates with Matjaž Pograjc, Miha Hočevar, Gašper Tič, Ivana Djilas and Romana Kranjčan. He is also practicing electric boogie and hip-hop. He is a member of Abismo dance group.

 

April Veselko: THROUGH THE ICE

Author, performance and music: April Veselko

songs again. A wish. only this is too personal. nobody knows about them. Vulnerability. Relief – can you cry? help, ask for it! You never cry. free, proud, owing nothing to no one.  Do not trust. a step back, you remain quiet as is expected behind the glass.  Only on surface. Cold, distant and inaccessible. The Ice Queen.

April Veselko (1994, Maribor) began dancing at Plesna izba Maribor, participated at OPUS 1 competition several times and won a number of awards. She collaborates with Tina Valentan, Aleksandra Blagojević and Snježana Premuš, under the mentorship of which she created her first independent project (Dvomine) in 2011 and performance Sharp and Salty the following year.

 

Veronika Valdés: OUTSIDE YOURSELF

Author, performance, music arrangement and voice: Veronika Valdés
Costume design: Sara Smrajc Žnidarčič
Music: Auditory Hallucination

Gestures in the movement, movement in the gestures. How does the body react to an initiation of physical gestures. What influence does external voice have on reactions and actions. When do body and sound become one, and vice versa.

Veronika Valdés (1992, Ljubljana) began dancing in 1996 at the contemporary dance department of the Ljubljana Music and Ballet Conservatory and continued her study at SVŠGL, Arts Gymnasium, contemporary dance department. She has performed at several festivals and events, winning several awards. She participates in professional projects as a co-creator and performer. Her first solo performance was A Day After at PTL- Dance Theatre Ljubljana in 2012.

 

Goran Kusić: WASTED

Original solo dance

Music: Nina Simone: Black Is The Color Of My True Love’s Hair

Wasted is a manifest and a critique of the situation itself in the position of a creator. Bipolar nature of the work arises from the analysis of the trivial factors of a journey through different social and professional events, which inspire and cause indifference at the same time.

Goran Kusić’s dance career began in 2003 at Celje Dance Forum under the mentorship of Goga Stefanović Erjavec, continued at SVŠGL, Arts Gymnasium, Contemporary dance department. Since 2013, he is studying at the Amsterdam University of Arts (Modern Theatre Dance department) where he is also involved in projects outside the academy.

 

Katarina Barbara Kavčič: EVERY NOW AND THEN I GET A LITTLE BIT LONELY

Concept and performance: Katarina Barbara Kavčič

Music: Bonnie Tyler: Total Eclipse Of The Heart

The solo performance, which could also be a duet, is an expression of my current state (or non-state), my searching and researching. The dilemma whether to face it or not, to open or to close, to observe or be observed, leads me towards a search for a happy place, where you don’t need to be alone, even when there is no one around, and where purple flies dominate instead of elephants.

Katarina Barbara Kavčič (Maribor) is finishing her studies at SEAD where she participated in various productions and projects. So far, she has produced three original performances. She also works as a mentor and pedagogue.

PONEDELJEK, 16. 6. ob 20.00

 

Ajda Tomazin: TEORIJA STRUN

Koncept in koreografija: Ajda Tomazin 

Ustvarjanje in izvedba: Ajda Tomazin in Christopher Weickenmeier 

Svetloba in zvok: Jost von Harleßem 

Mentorja: prof. dr. Bojana Kunst in Frank Max Müller 

Finančna podpora: crespofoundation in qsl 

Produkcija: Frankfurt Lab + Mousonturm + Atw, Inštitut za aplikativne gledališke znanosti v okviru magistrskega študija koreografije in performansa, (2011, 2013-2014)

Predstava poudarja pomen odnosov, ki so del naših življenj in jih postavlja na abstraktno raven vidnih in nevidnih mrež povezovanja. Mreža ima tendenco razkazovanja. Lahko te prizadene, lahko je dolgočasna, včasih pa je enostavno sramežljiva. Naenkrat si premisli in spregovori. Vendar ne vedno na razumljiv način, zato ji je treba pomagati. Pa tudi če pravi, da ni vredno poslušanja, kot je šepetanje na uho: “Izgledata kot idiota.” 

Ajda Tomazin (1986, Ljubljana) je po SVŠGL, smer sodobni ples, študij nadaljevala na ALUO v Ljubljani. Trenutno zaključuje podiplomski študij koreografije in performansa v Frankfurtu. Njen magistrski projekt Imagination of Expectations je sestavljen iz instalacije Net in Work in performansa String Theory.

MONDAY, June 16, 8 p.m.

 

Ajda Tomazin: STRING THEORY

Concept and choreography: Ajda Tomazin 

Creation and performance: Ajda Tomazin and Christopher Weickenmeier 

Light and sound: Jost von Harleßem 

Mentors: prof. dr. Bojana Kunst, Frank Max Müller 

Financial support: Crespo Foundation, QSL

Production: Frankfurt Lab, Mousonturm, Atw(Institute for Applied Theatre Studies) under a MA Choreography and Performance (2011, 2013–2014)

Realization at UKREP: PTL in collaboration with KD Qulenium

The performance highlights the importance of relations that are a part of our lives, placing them on an abstract level of visible and invisible networks of integration. The network has a tendency to show off. It can hurt you, it can be boring, and sometimes it is simply shy. Suddenly it changes its mind and speaks out. But not always in an understandable way, so you have to help it, even if it says that it is not worth listening to, like a whisper in the ear: “You look like idiots.”

Ajda Tomazin (1986, Ljubljana) after graduating in contemporary dance at SVŠGL continued her studies at the Academy of Fine Arts and Design in Ljubljana. She is currently finishing postgraduate study of choreography and performance in Frankfurt. Her MA project, Imagination of Expectations, is composed of the installation Net in Work and performance String Theory.

TOREK, 17. 6. ob 19.00

 

Tina Benko, Neža Jamnikar, Tajda Podobnik, Veronika Valdes: 4 V VRSTO

Koreografija in izvedba: Tina Benko, Neža Jamnikar, Tajda Podobnik, Veronika Valdés

Oblikovanje luči: Davorin Štorgelj/ v PTL Janko Oven

Produkcija: Festival Velenje

Koprodukcija: Plesni Teater Ljubljana

Predstava 4 v vrsto je igra štirih individuumov, ki iščejo uravnoteženo celoto. Pravila igre: Prepleti. Nudi oporo. Išči stabilnost.  Poruši. Spusti nadzor. Spreminjaj dinamiko. Reagiraj. Tvegaj. Združi. Premagaj ovire. Sodeluj. Igra je končana, ko spraviš vse štiri elemente v vrsto.  Pazi, da tvoja vrsta ostane v ravnovesju!

Vse štiri avtorice so študentke na Akademiji za ples v Ljubljani, smeri sodobni in džez ples. V študijskem letu 2013/2014 zaključujejo prvo stopnjo bolonjskega programa Ples, koreografija.

TUESDAY, June 17, 7 p.m.

 

Tina Benko, Neža Jamnikar, Tajda Podobnik, Veronika Valdes: CONNECT 4 / 4 IN A ROW

Choreographyand Dance: Tina Benko, Neža Jamnikar, Tajda Podobnik, Veronika Valdés

Lightingdesign: Davorin Štorgelj/ v PTL Janko Oven

Produced by: Festival Velenje

Co-produced by: Plesni Teater Ljubljana

Connect 4 is a game of four individuals looking for a balanced whole. Rules of the game: Intertwine. Provide support. Search for stability. Demolish. Let go of control. Change the pace. React. Take a chance. Combine. Beat the obstacles. Cooperate. The game is over when you connect all four elements in a row. Be careful to keep your row in the balance!

All four authors are students at the Dance Academy in Ljubljana (contemporary and jazz dance departments). In the academic year 2013/2014, they are finishing the 1st degree of Bologna program in Dance and Choreography. They have created several independent dance projects.

TOREK, 17. 6. ob 20.30

 

Eduardo Torroja: NOSILCI TELESA (BODY CARRIERS)

Koreografija: Eduardo Torroja

Nastopajo: Enya Belak, Saša Gorše, Anita Gregorec, Maša Hawlina, Alex Kodek, Eva Posedel, Tini Rozman, Urša Rupnik, April Veselko, Eni Vesović

Glasba: Thierry de Mey

Oblikovanje svetlobe in kostumi: PTL / Eduardo Torroja

Produkcja: Plesni Teater Ljubljana

Svobodna kompozicija temelji na fragmentih energetskega in fizičnega vokabularja prvih dveh predstav skupine Ultima Vez Wima Vandekeybusa. Gre za gib kot gledališko dejanje, v katerem prevlada instinkt in kjer je zaupanje vse, kar v bojeviti pokrajini uravnoveša oster rob med privlačnostjo in odbojem. Intenzivnost trenutkov, v katerih nimaš izbire, v katerih se druge stvari odločajo namesto tebe, kot ko se zaljubiš ali trenutek pred nesrečo, ki se bo zgodila.

Eduardo Torroja (Madrid, Španija) je leta 1986 začel sodelovati z Wimom Vandekeybusom kot asistent koreografije, plesni pedagog in plesalec v prvih predstavah skupine Ultima Vez: Česar se telo ne spominja (1987), Prinašalke slabih novic (1989), Teža roke (1990) in film Dežela vrtnic (1991). V devetdesetih letih je sodeloval s skupino Rosas Anne Terese De Keersmaeker, Need Company Jana Lauwersa in Grace Ellen Barkey. Prevzel je tudi poučevanje in izvajal delavnice repertoarja Ultima Vez v Leuvnu, Volgogradu, Bruslju, Madridu, Amsterdamu, Sevilli, Rotterdamu, Lisboni. Leta 2000 se je vrnil v Madrid, kjer sodeluje kot igralec ali asistent režije pri filmih in gledaliških predstavah. Za različne projekte se vrača v Bruselj. Je umetniški asistent pri predstavah Ultima Vez Blush (2002) in Sonic Boom (2003).

TUESDAY, June 17, 8.30 p.m.

                   

Eduardo Torroja: BODY CARRIERS

Choreography: Eduardo Torroja

Dancers: Enya Belak, Saša Gorše, Anita Gregorec, Maša Hawlina, Alex Kodek, Eva Posedel, Tini Rozman, Urša Rupnik, April Veselko, Eni Vesović

Music: Thierry de Mey

Lighting and Costume design: PTL/Eduardo Torroja

Produced by: PTL – Dance Theatre Ljubljana

Free composition is based on fragments of the energetic and physical vocabulary of the first two performances of the Ultima Vez group and Wim Vandekeybus. It is about movement as a theatrical act, where instinct takes over and where trust is everything in this combative landscape that balances on the razor edge of attraction and repulsion. The intensity of the moments when you have no choice, when other things decide for you; like falling in love, or a moment before the accident that has to happen.

Eduardo Torroja (Madrid, Spain) began working with Wim Vandekeybus in 1986 as an assistant choreographer, dance trainer and dancer in first performances of the Ultima Vez group – What the Body Does Not Remember (1987), Les Porteuses de Mauvaises Nouvelles (1989) and The Weight of a Hand (1990) – and in the movie Roseland (1991). In the 1990s, he collaborated with Anne Teresa De Keersmaeker’s group Rosas, with Need Company of Jan Lauwers and Grace Ellen Barkey. He also took on dance teaching and workshops as part of the Ultima Vez repertoire in Leuven, Volgograd, Brussels, Madrid, Amsterdam, Seville, Rotterdam and Lisbon. In 2000, he returned to Madrid where he works as a performer or assistant director in film and theatre, but has been returning to Brussels for various projects, e.g. as an artistic assistant in performances Ultima Vez Blush (2002) and Sonic Boom (2003).

TOREK, 17. 6. ob 22.00

KONCERT:  Diši po jazzu...

Plesni Teater Ljubljana v sodelovanju z Derridas pripravlja koncert ob zaključku festivala UKREP. Skupina vrhunskih glasbenikov, sestavljenih  samo za to priložnost, so:  Nino de Gleria (bas), Luka Ropret (kitare), Blaž Celarec (bobni), Drago Ivanuša (klaviature). Diši po jazzu, disku, rocku, bluesu in še marsičem.

TUESDAY, June 17, 10 p.m.

CONCERT: Smells like jazz …

For the closing night of Ukrep Festival, PTL - Dance Theatre Ljubljana is preparing a concert in collaboration with the cultural institute Derridas.

A group of top musicians has been assembled specially for this occasion: Nino de Gleria (bass guitar), Luka Ropret (guitars), Blaž Celarec (drums), Drago Ivanuša (keyboards). It smells like jazz, disco, rock, blues and much more.

← 2. in 3. 6. 2014 - 20.00 DAN POTEM20. in 21. 6. 2014 - 21.00 ŠTIRINAJST →