Barbara Kanc: ZUNAJ / OUTSIDE

Barbara Kanc

ZUNAJ: POTOSLED / OUTSIDE

narava in urbani prostor / gibanje, urbane intervencije, zvok / za družine

nature & urban space / movement, urban interventions, sound / for families

Koncept in izvedba / Concept and Performance: BARBARA KANC

Glasba in izvedba / Music and Performance: SAMO KUTIN

Dramaturgija in svetovanje  / Dramaturgy and Advising: NIKA ARHAR

Kostumografija / Costume Design: TINA PAVLIN 

Snovanje vizualnih delavnic in pomoč pri arhitekturi prostora / Devising workshops and help with architecture of the space: METOD BLEJEC, UNA REBIĆ

Grafično oblikovanje / Graphic Design:  PRIMOŽ PISLAK

Tehnična pomoč / Technical Support: JANKO OVEN, ANA MARIJA KANC

Kreativna producentka / Creative Producer: KATJA SOMRAK

Produkcija / Produced by: PLESNI TEATER LJUBLJANA

Koprodukcija / Co-produced by: DRUŠTVO ŠKUC

Finančna podpora / Financial Support: Ministrstvo za kulturo RS / Ministry of Culture RS 

Zahvala / Thanks to: vsem otrokom (in odraslim), ki so se udeležili delavnic in tako ali drugače s svojo domišljijo obogatili proces, Prulski skupnosti, Niki, Mitji, Ani Mariji in vsem vidno-nevidnim sledem / all the children (and adults) who participated in the workshops and enriched the process with their imagination, community of Prule, Nika, Mitja, Ana Marija and all visible and invisible traces.

About project:

OUTSIDE takes us on a guided journey, inviting us to observe and explore places, read the visible and invisible traces within them, imagine their hidden lives and collectively craft new – possible, playful, imaginative, utopian – stories of these spaces.

Traces. To follow.

We follow established paths while simultaneously forging unknown ones. We create and leave behind new traces. As we explore, we contemplate whether there is still space in our shared environment for imagination, which might be found in the cobblestones under our feet, in the unconventional use of space, or in surprises around the corner, leading us to new perspectives and pathways.

O projektu:

ZUNAJ: POTOSLED je interaktivno potovanje, ki sledi vidnim in manj vidnim zapisom-sledem v našem okolju.

Kaj zares opazimo v prostorih, skozi katere se gibljemo, na poteh, po katerih vsakodnevno odhajamo in prihajamo ali na pohajkovanjih po neznanih okoliših? Kakšne odtise puščamo za seboj? In koliko poti, teles in zgodb prečka našo! 

Načini, na katere uporabljamo javne prostore, kako jih oblikujemo, kaj vse tam je – od naravnih do urbanih elementov, kaj se v njih dogaja, se je dogajalo ali bi se lahko … vse to prostore naseljuje s številnimi sledmi in vsaka sled nosi v sebi drugačno zgodbo. Vsaka razpre prostor malo drugače in nas nagovarja, da ga odkrivamo, razkrivamo ali naš pogled na prostor obrnemo na glavo.

Sledi. Slediti.

ZUNAJ nas popelje na vodeno pot in povabi, da opazujemo ter raziskujemo sledi, prebiramo njihove namige, si zamišljamo njihova skrita življenja in skupaj mimogrede ustvarimo nove – možne, igrive, domišljijske, utopične – zgodbe teh prostorov.
Sledimo že obstoječemu in hkrati oblikujemo še neizrisano pot. Ustvarjamo in zapuščamo nove sledi. Ter preizkušamo, ali je v našem skupnem prostoru še prostor za domišljijo, ki se lahko skriva v tlakovcu pod stopali ali v nenavadnem zavzemanju prostora, za presenečenje, ki pokuka izza vogala, za nov pogled in drugačno pot.

F: Drago Videmšek

Excerpt from press review:

The performance, intended primarily for young audiences, tries to find a sense of public space as a place of associative play, in which some of the already existing elements of streets, roads, walls become anchors for the unfolding of the performance. The audience thus encounters permanent and non-permanent traces, which they as well create around the city themselves, adding their new, original contribution. In this way, the performance becomes a cyclical interaction between tracking and leaving a trace that goes beyond its own space (…)

Benjamin Zajc, Delo

Izsek iz kritike:

Uprizoritev, namenjena predvsem otroški publiki, poskuša osmisliti javni prostor kot prostor asociativne igre, v kateri nekateri že obstoječi elementi ulic, cest, zidov postanejo sidrišča izpeljave uprizoritve. Otroško občinstvo se tako sreča s trajnimi in netrajnimi sledmi, slednje po mestu ustvarjajo tudi sami in tako pridajo svoj novi, izvirni prispevek. Tako uprizoritev postane ciklična interakcija med sledenjem in puščanjem sledi, ki presega svoj lastni prostor (…)

Benjamin Zajc, Delo

O avtorici:

Barbara Kanc je plesalka, koreografinja, performerka in plesna pedagoginja. Izobraževala se je na Umetniški gimnaziji, smer sodobni ples, nato pa leta 2007 z odliko diplomirala na Trinity Laban Conservatoire of Music and Dance v Londonu. Pozornost ji pritegnejo male, skoraj neopazne stvari in različne oblike navzočnosti. V navideznih preprostostih in neznatnostih se ustavlja, jih išče in jim daje pomen. Avtorske projekte ustvarja ciklično, v skladu z njeno naravo - mednje spadajo: Waitings, Yah Eht Ni Eldeen, Iskanja brez naslova, Oči, ki letijo in Pronicanja (oba v soavtorstvu z Anjo Bornšek in Tino Valentan), Zunaj/Znotraj (in vmes): Vrt, Zunaj: Potosled (2024) in drugi. Kot plesalka je sodelovala v plesnih predstavah z avtorji, kot so Maja Delak, Dejan Srhoj, Katja Legin in kolektiv No!Training Lab, Matjaž Farič, Iztok Kovač in drugi. V zadnjih letih vse več ustvarjalne energije posveča mlademu občinstvu. Kot plesalka sodeluje v gledališko-plesnih predstavah za otroke in mladostnike, kot so Peskovnik in Tunel (r. Miha Golob), Povodni koncert, Povodni mož Ambrož in CTRL.SHIFT.ESC. (r. in kor. Natalija Manojlović Varga), Krickrac, to sem jaz! (r. in kor. AEIOU in Sanja Tropp Frühwald) ter Hišica iz kock (r. Irena Rajh). Kot koreografinja oz. svetovalka za gib je sodelovala pri predstavah Kuku, Oh la la ter Tok tok tok (r. Mateja Bizjak Petit) in Medvedek Pu (r. Benjamin Zajc). Od leta 2004 kot izvajalka in avtorica deluje tudi na področju zgodovinskih (renesančnih in srednjeveških) plesov. Že več kot desetletje pa otroke in mladostnike poučuje ustvarjalni in sodobni ples. Z njimi je ustvarila številne plesne miniature in predstave, saj trdno verjame v transformativno moč plesa – tako za posameznika kot za celotno družbo Če vas zanima kaj vse in kje ustvarja lahko več o njenem delu najdete na: https://koreografski.info/barbara-kanc/

Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture

About author:

Barbara Kanc is a dancer, choreographer, performer and dance teacher. She was educated at the Art Grammar School, majoring in contemporary dance, and then in 2007 she graduated with honors from the Trinity Laban Conservatoire of Music and Dance in London. She is attracted to small, almost imperceptible things and various forms of presence. She searches for meaning in the seeming simplicity and insignificance. Author's projects are created cyclically, according to its nature - among them: Waitings, Yah Eht Ni Eldeen, Iskanja brez naslova, Oči, ki letijo in Pronicanja (both co-authored with Anja Bornšek and Tina Valentan), Outside/Inside (and in between): Garden, Outside: Potosled (2024) and others. As a dancer she participated in dance performances with artists such as Maja Delak, Dejan Srhoj, Katja Legin and the No! Training Lab, Matjaž Farič, Iztok Kovač and others. In recent years, she has devoted more and more creative energy to young audiences. As a dancer she participates in theatre and dance performances for children and adolescents, such as Peskovnik and Tunel (r. Miha Golob), Povodni koncert, Povodni mož Ambrož and CTRL.SHIFT.ESC. (R. and Cor. Natalija Manojlović Varga), Doodledee, it's me! (R. and Cor. AEIOU and Sanja Tropp Frühwald) and Hišica iz kock (dir. Irena Rajh). As a choreographer, she worked on performances Kuku, Oh la la and Tok tok tok (dir. Mateja Bizjak Petit) and Medvedek Pu (dir. by Benjamin Zajc). Since 2004 she has also worked as a performer and author in the field of historical (Renaissance and Medieval) dances. For over a decade, she has been teaching children and young people about creative and contemporary dance. She has created many dance miniatures and performances with them, as she firmly believes in the transformative power of dance – both for the individual and for society as a whole If you are interested in what she does and where she creates, you can find more about her work at:https://koreografski.info/barbara-kanc/

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