3. 10. - 20. 00 - @ Plesni Teater Ljubljana
4. 10. - 19. 00 - @ Oder Gosposka, Maribor
Beti Polanec, Alja Turk Hvala
TRANSFORMACIJE 0.1 / TRANSFORMATIONS 0.1
plesni prvenec / dance debut
Avtorici in izvajalki / Authors, Performers: BETI POLANEC, ALJA TURK HVALA
Glasba / Original Music: KAJA JANJIĆ - FRAW BLANKA
Mentorstvo / Mentorship: ALJA LACKOVIĆ, NATALIJA MANOJLOVIĆ VARGA, VITA OSOJNIK
Oblikovanje luči / Light Design: LEON CURK
Produkcija / Produced by: PLESNI TEATER LJUBLJANA - MLADI AVTORJI (Alja Lacković)
F: Katarina Kolenc
About project:
And so it yields. Not in defeat, but in transformation. It does not disappear, nor does it give up; it simply changes the way it carries its weight. Beneath the weight of a cold breath, a different order begins to emerge — slow, quiet, endless. Not escape, but transformation.
Transformations 0.1 originated from a duet concept that, due to unforeseen circumstances, was compelled to reshape itself into a new form. The work opens a space for states between presence and absence, between touch and distance, between what is, and what is yet to emerge.
In the interval, the process does not come to a halt; rather, it condenses. What has been established begins to soften its edges and shift into a state that is no longer fixed, but open. The idea does not seek a conclusion, but persists in motion, where every form already contains the possibility of its own transformation.
What was initially conceived as a relationship between two gradually flows into the inner landscape of a single body that carries the trace of the other — as an imprint, as tension, as an absent presence. Movement no longer arises from an immediate response, but from the memory of contact, from an echo that settles into the muscles and the breath.
The body thus becomes a space of transition between the known and the unknown, between control and surrender; space is not established externally, but through the body itself — in breath and tension, where each movement simultaneously dissolves and reconstitutes an order grounded in constant adaptation.
The continuation does not follow linear growth, but circulation — a returning that is not repetition, but shift. Each subsequent moment carries the trace of the previous one, while simultaneously reshaping and displacing it.
O projektu:
In tako popušča. Ne v porazu, ampak v preobrazbi. Ne izgine, ne odneha, le spremeni način, kako nosi svojo težo. Pod težo hladnega diha nastaja drugačen red — počasen, tih, neskončen. Ne pobeg, temveč transformacija.
Transformacije 0.1 izhajajo iz duetne zasnove, ki je zaradi višje sile dobila drugačno obliko. Delo odpira prostor za stanja med prisotnostjo in odsotnostjo, med stikom in razdaljo, med tem, kar je, in tem, kar šele nastaja.
V razmiku se namreč proces ne ustavi, temveč zgosti. Kar je bilo vzpostavljeno, začne mehčati svoje robove in prehajati v stanje, ki ni več določeno, ampak odprto. Ideja ne išče zaključka, temveč vztraja v gibanju, kjer vsaka oblika že vsebuje možnost svoje spremembe.
Kar je bilo sprva mišljeno kot odnos dveh, se postopoma prelije v notranjo krajino enega telesa, ki nosi sled drugega — kot odtis, kot napetost, kot odsotno prisotnost. Gib ne izhaja več iz neposrednega odziva, temveč iz spomina na stik, iz odmeva, ki se naseljuje v mišicah in dihu.
Telo tako postane prostor prehajanja med znanim in neznanim, med nadzorom in prepuščanjem; prostor se ne vzpostavlja zunaj, temveč skozi telo samo — v dihu in napetosti, kjer vsak premik hkrati razkraja in na novo vzpostavlja red, ki temelji na neprestanem prilagajanju.
Nadaljevanje ne sledi linearni rasti, ampak kroženju — vračanju, ki ni ponavljanje, temveč premik. Vsak naslednji trenutek nosi sled prejšnjega, a ga hkrati preoblikuje in premakne.
F: Katarina Kolenc
Zarja Ferlinc, Daša Resnik
BEŽNI DELCI / FUGITIVE PARTICLES
plesni prvenec / dance debut
Avtorici in izvajalki / Authors, Performers: ZARJA FERLINC, DAŠA RESNIK
Glasba / Original Music: EVA MULEJ VRABIČ (Oka), TINE MULEJ VRABIČ (Nitz)
Mentorstvo / Mentorship: NATALIJA MANOJLOVIĆ VARGA
Besedilo / Text: JAKA BRAČIČ
Produkcija / Produced by: PLESNI TEATER LJUBLJANA - MLADI AVTORJI (Alja Lacković)
About project:
In this creative process, we deal with the transfer of energy from one body to another.
Something entirely physical, almost anti-material. Two bodies in the same space, progressively inventing—through each other—ways to raise energy, to gain strength, to find momentum for movement.
The search for the physical between us has always been chemistry, still present—a nonverbal context that emerged through shared action and dance. It is a force we elevate to a level that can be felt by those present. It is a desire for life, an impulse that materializes, something omnipresent that creates through transformation. It is movement that arrives, a moment in time and space that happens. It is fleeting, just as our matter is fleeting—the physicality we embody in that moment. It comes and goes. What remains is the longing for what was; we are always searching for that same peak we once experienced. Such a peak is unrepeatable—it escapes our bodies.
The inspiration comes from three of Newton's laws, which we explore for the method of movement: 1. The law of inertia (it comes from Galileo's claim that there are two types of movement; perfect and imperfect). We explore how an external force acts on a body, in our case a dancer who is persistent in her action... 2. The law relates to the relationship between the acceleration of a body, the forces on the body and the mass of the body. We explore what the environment can affect the power of movement and the texture of movement. 3. The law of mutual effect or the law of action and reaction, which we also observe on our bodies, to look for a lever for movement.
The lever for movement is the primary property of what we call dance. According to the article One: ANTIMATERIALIST WORLDS, we discover the importance of matter in two forms: particles and antiparticles. The assumption of the theory stated in the article mentions the possible existence of another world – an anti-world, built of antimatter. Through corporeality, we access our anti-world from which the most authentic power that moves our bodies originates. In researching this, we are looking for a dimension where it is infinite, immortal, even if the body undergoes constant change to withstand the forces of the anti-world. In search of their power, bodies need transformation, a change of form – shapeshifting, to adapt to the needs of the inner, immaterial world. We witness and support each other in change, we keep each other in power and in motion. Such movement is always unrepeatable, even if it is seemingly similar, in the anti-material world the physical is only fleeting. One of the leading statements in the article is: “If two worlds collided, they would annihilate each other in a blinding flash.” This performance should be a demonstration of the mutual support and/or collision of two powerful worlds and the result of this.
O projektu:
V tem ustvarjalnem procesu se ukvarjava s prenosom energije iz enega telesa na drugega.
Nekaj popolnoma fizikalnega, kot antimaterialnega. Dve telesi, ki v istem prostoru s pomočjo drug drugega stopnjevano izumljata načine kako dvigniti energijo, kako dobiti moč, kako dobiti zagon za premik.
Iskanje fizikalije med nama je kemija, ki je še vedno prisotna, neverbaliziran kontekst, ki se je pojavljal ob skupnem delovanju in plesu. Je moč, ki jo dvigneva na nivo, da jo začutijo vsi prisotni. Je želja po življenju, je impulz, ki se materializira, je tisto vseprisotno, ki preko transformacije ustvarja. Je gibanje, ki pride, je moment v času in prostoru, ki se zgodi. Je bežen, kot je bežna najina materija, telesnost, ki jo v tem trenutku upodabljava. Pride in gre. Ostane želja po tem kar je bilo, vedno iščeva enak vrhunec, kot sva ga doživeli takrat enkrat. Tak vrhunec je neponovljiv, beži pred najinimi telesi.
Inspiracija prihaja iz treh Newtonovih zakonov, ki jih raziskujeva za način gibanja: 1. Zakon o vztrajnosti. Raziskujeva kako na telo deluje zunanja sila, v najinem primeru soplesalka, ki je vztrajna v svojem delovanju. 2. Zakon se navezuje na razmerje med pospeškom, silo in maso. Raziskujeva kaj okoljskega lahko vpliva na moč premikanja in teksturo gibanja. 3. Zakon o akciji in reakciji, ki ga prav tako opazujeva na najinih telesih, da iščeva vzvod za premik.
Vzvod za premik je primarna lastnost tega, kar midve poimenujeva ples. Odkrivava pomembnost materije v dveh oblikah: delcev in antidelcev. Raziskujeva možni obstoj še enega sveta – antisveta, zgrajenega iz antimaterije. Midve preko telesnosti dostopava do najinega antisveta iz katerega izvira najbolj pristna moč, ki premika najina telesa. V raziskavi tega iščeva dimenzijo kjer je ta neskončna, tudi če telo doživlja nenehno spremembo, da vzdrži sile antisveta.
Telesa v iskanju svoje moči potrebujejo transformacijo, spremembo oblike – shapeshifting, da se prilagodijo potrebam notranjega, nematerialnega sveta. Druga drugi sva priča in podpora spremembi, druga drugo ohranjava pri moči in v gibanju. Takšno gibanje je vedno neponovljivo, tudi če je na videz podobno, v antimaterialnem svetu je telesno samo bežno. Vodi naju misel: »Če bi dva svetova trčila, bi se izničila v zaslepljujočem blisku.«, zato cilj ni trk, vendar nenehno prehajanje in poigravanje s fiziko gravitacije, da se v snopu delcev materializira pendulum.
F: Katarina Kolenc
INFO. / REZ.: 040 345 477, plesniteaterljubljana@gmail.com,,mojekarte
Vstopnice / Tickets: 10/7€ (dijaki, študenti, upokojenci / scholars, students, seniors) predhodna rezervacija ali uro pred predstavo v našem gledališču / booking in advance or an hour before the performance at our theatre
Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture