Enya Belak Gupta
MODRO ČRNILO / BLUE INK
plesna predstava / a dance performance
Koreografija in režija / Choreographed and Directed by: ENYA BELAK GUPTA
Ples in soustvarjanje / Co-creation and Dance: JERCA ROŽNIK NOVAK & GÁBOR IVANOV
Dramaturgija / Dramaturgy: EVA POSEDEL
Oblikovanje zvoka in kompozicija / Sound Design and Composition: LOU BARNELL
Direktor fotografije / Director of Photography: AADHAR GUPTA
Oblikovanje luči / Lighting Desing: JANKO OVEN
Kostumografija / Costume Design: ANDREJ VRHOVNIK
Produkcija / Produced by: FLOTA LJUBLJANA, FLOTA, ZAVOD, MURSKA SOBOTA
Koprodukcija / Co-produced by: PLESNI TEATER LJUBLJANA
Projekt je sofinanciran / Supported by: MINISTRSTVO ZA KULTURO IN MESTNA OBČINA LJUBLJANA / MINISTRY OF CULTURE AND MUNICIPALITY OF LJUBLJANA
Zahvala / Thanks to: JSKD, OBČINA ILIRSKA BISTRICA, SKICA
INFO. / REZ.: flota@flota.si, Moje karte
Vstopnice / Tickets: 10/7€ (dijaki, študenti, upokojenci / scholars, students, seniors), predhodna rezervacija ali uro pred predstavo v gledališču / prior reservation or an hour before the performance at the theatre
Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture
Foto / Photo: AADHAR GUPTA
Odlomki iz kritik
“Koreografinja Enya Belak Gupta je s svojim Modrim črnilom sodobno zarisala v plesni jezik, koreografsko izpoved pa dozorelo in premišljeno vgradila v gledališki prostor, ki sta jo z lastno gibalno sugestijo znala nadgraditi tudi izbrana soustvarjalca ter plesalca, Jerca Rožnik Novak in Gábor Ivanov.” Daliborka Podboj, Parada plesa
“Drobni sugestivni gibi, kratke sekante, odsekane gibalne linije, pregibne deformacije rok, tudi izkrivljene pozicije se kar pretakajo in v zaporedjih ponavljajo, kot bi sledil galeriji karikatur, ki hitro krilijo na premičnem vodoravnem traku, elevatorju neštetih podob in stikov, ob kroženju in menjavanju smeri. In čeprav sta na odru le dve plešoči osebi, odsevata mnogotere značajnosti.” Daliborka Podboj, Parada plesa
“Enya Belak Gupta in soustvarjalca Jerca Rožnik Novak in Gábor Ivanov v predstavi Modro črnilo preko nekaterih zanimivih idej za uprizarjanje postopkov, ki jih po navadi povezujemo z birokracijo, ustvarijo prizore med katere spada tudi izvrsten prizor, ko se Gábor na Jerčinih ramenih počasi premika po steni od desne proti levi in s tem prikazuje proces skeniranja.” Maša Radi, Koridor – križišča umetnosti
Extracts from press reviews
“The choreographer Enya Belak Gupta contemporarily outlined the dance language with her Blue Ink, and her choreography was maturely as well as thoughtfully embedded in the theatre space which the co-creators and dancers, Jerca Rožnik Novak and Gábor Ivanov, upgraded with their own movement.” Daliborka Podboj, Parada plesa
“Small suggestive movements, short shunts, cut off dance lines, fretting deformation of the hands, even distorted positions are flowing and repeating itself in sequences as if they were followed by a caricature gallery that swiftly flutters on a moving horizontal tape, an elevator of countless images and contacts, circling and changing direction. And although there are only two dancers on the stage, they reflect a multitude of significance.” Daliborka Podboj, Parada plesa
“Through some interesting performing ideas, the choreographer Enya Belak Gupta and co-creators Jerca Rožnik Novak and Gábor Ivanov in the show Blue Ink present the processes which we usually associate with bureaucracy. One of the processes, the scanning process, was shown through an excellent scene when Gábor on Jerca’s shoulders slowly moves along the wall.” Maša Radi, Koridor – križišča umetnosti