Jan Rozman
PREDMETENJE
Zaradi zaostrovanja ukrepov pri preprečevanju širjenja koronavirusa in zaradi zagotavljanja varnosti vseh nas in vas smo primorani predstavo odpovedati. Ostanimo zdravi! / Due to the tightening of the measures in preventing the spread of coronavirus and to ensure the safety of all of us and you, we are forced to cancel the performance. Let's stay healthy!
Koncept in izvedba / Concept and Performance: JAN ROZMAN
Dramaturgija / Dramaturgy: JULIA KERN TURBAHN
Oblikovanje svetlobe / Light Design: URŠKA VOHAR
Kostum / Costume: KISS THE FUTURE
Svetovalec za scenografijo / Scenography Advisor: DAN ADLEŠIČ
Odrska asistenca / Stage Assistance: DAN PIKALO
Grafično oblikovanje / Graphic Design: MATIJA MEDVED
Foto dokumentacija / Photo Documentation: NADA ŽGANK
Produkcija / Produced by: EMANAT
Izvršna producentka / Executive Producer: SABINA POTOČKI
Koprodukcija / Co-Produced by: PLESNI TEATER LJUBLJANA
Finančna podpora / Supported by: MESTNA OBČINA LJUBLJANA / MUNICIPALITY OF LJUBLJANA
INFO. / REZ.: sabina@emanat.si
Vstopnice / Tickets: zaradi omejenega števila sedežev obvezne rezervacije oz. vnaprejšnji nakup preko Moje karte / due to a limited number of seats booking in advance or buying through Moje karte is obligatory
Cena / Price: 8/6€ (dijaki, študenti, upokojenci / scholars, students, seniors)
Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture
Foto / Photo: NADA ŽGANK
O predstavi
V svojem novem performansu se koreograf, performer in improvizator Jan Rozman sooči s stvarmi – s predmeti, ki ga obkrožajo, pa tudi z občutki in idejami, ki jih ti predmeti sprožajo. Predmetenje je visceralni odziv na svet stvari v katerem živimo. Je premeten in ljubi reči.
Gledališki oder postane prostor stika med živo in neživo materijo; okolje, v katerem stvari lahko vzpostavljajo odnose, komunicirajo in soobstajajo – ter ob tem morda razkrijejo tudi svojo drugo plat.
Predstava gradi na vmesnih prostorih: med objektom in subjektom, med obstojem, spekulativnim obstojem in neobstojem, nedejavnostjo in delovanjem, nasičenostjo, umirjenostjo in praznino, svetlobo, mrakom in temo, med vsakodnevnim, skrivnostnim in poetičnim, kot tudi med posameznimi prisotnimi telesi.
Ustvarjalni proces temelji na uprizoritveni raziskavi materialnosti, ki jo je Jan začel med magistrskim študijem na MA SODA v okviru Inter-University Centre for Dance v Berlinu.
Konceptualno se performans naslanja na ideje, ki so jih razvili filozofi spekulativnega realizma oz. objektno orientirane ontologije (OOO) ter na njihovo razumevanje koncepta stvari. Slednje so razumljene kot neinstrumentalne entitete, ki lahko razkrijejo svoj poetični potencial in aktivirajo lastno koreografsko moč poleg in v odnosu do performerja na odru. Predmetenje izzove antropocentrično dojemanje stvarnosti z iskanjem alternativnih možnosti za sobivanje stvari v času preteče globalne ekološke katastrofe in prenasičenosti s predmeti, ki je del zahodnega življenjskega sloga.
About the performance
In his new work, choreographer, performer and improviser Jan Rozman confronts things – objects that surround him and the sensations and ideas triggered by them. Thinging is a visceral reaction to the world of things we are living in. It thinks and it sings.
The stage becomes a space of contact for the living and non-living matter; an environment where things can relate, communicate and coexist, perhaps revealing a different side.
The piece works with spaces of being in-between – between objects and subjects, between existence, speculative existence and non-existence, inaction and activity, saturation, calmness and emptiness, light, dusk and darkness, quotidian, mysterious and poetic, as well as between individual present bodies.
The creative process is rooted in a performative research on materiality, started during Jan’s study at Solo/Dance/Authorship master study program at the Inter-University Centre for Dance in Berlin.
Conceptually, it leans on the ideas developed by philosophers of speculative realism and object-oriented ontology (OOO) and their understanding of things. Considered as a non-instrumental entity, things are enabled to expose their poetic potential and uncover their own choreographic force alongside and in relationship to the performer on stage. Thinging is challenging anthropocentric thinking by searching for alternative modes of cohabitation of things in a time of threatening global ecological catastrophe and oversaturation with objects in contemporary Western life.