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4-pleasant-island-c-shun-sato-theater-commons-tokyo-20-web.jpg

22. & 23. 8. - 20.00 - Silke Huysmans & Hannes Dereere / CAMPO: PRIJETEN OTOK / PLEASANT ISLAND - Festival Mladi levi

August 13, 2021

Silke Huysmans & Hannes Dereere / CAMPO

PRIJETEN OTOK / PLEASANT ISLAND - Festival Mladi levi

predstava / a performance

Koncept in izvedba / By and with: SILKE HUYSMANS & HANNES DEREERE

Dramaturgija / Dramaturgy: DRIES DOUIBI

Tehnika / Technical: ANNE MEEUSSEN, PIET DEPOORTERE & BENJAMIN VERBRUGGE

Mešanje zvoka / Sound mixing: LIEVEN DOUSSELAERE

Produkcija / Production: CAMPO arts centre

Koprodukcija / Co-production: KUNSTENFESTIVALDESARTS, SPRING FESTIVAL UTRECHT, BEURSSCHOUWBURG, KUNSTENWERKPLAATS PIANOFABRIEK, VEEM HOUSE FOR PERFORMANCE, THEATERFESTIVAL SPIELART MÜNCHEN & DE BRAKKE GROND

S podporo / Supported by: Vlaamse gemeenschapscommissie & KAAP, Evropska Unija – Program Ustvarjalna Evropa, Kultura, ACT – Art, Climate, Transition

Predstava je v angleščini s slovenskimi nadnapisi / Performance is in English with Slovene subtitles

INFO. / REZ.: +386 51 269 906, info@bunker.si

Vstopnice imajo simbolično ceno 1 evro. Prostovoljne prispevke pa lahko donirate na vseh festivalskih prizoriščih. Vstopnice prevzamete in plačate na blagajni, ki je odprta uro pred predstavo na kraju dogodka. / Tickets have a symbolic price of 1 €. Volunteer contributions can be donated at all festival venues. Tickets can be picked up and paid for at the box office of the event venue, which opens an hour before the beginning.

V skladu z odloki Vlade RS je udeležba na kulturnih dogodkih dovoljena osebam z negativnim testom na Covid-19, cepljenim ali prebolevnikom (PCT pogoj). / In accordance with the decrees of the Government of the Republic of Slovenia, participation in cultural events is allowed to people with a negative test for Covid-19, vaccinated or convalescent people (PCT condition).

Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture

double-nuno-direitinho-web.png
5-pleasant-island-c-shun-sato-theater-commons-tokyo-20-web.jpg
3-pleasant-island-c-shun-sato-theater-commons-tokyo-20-web.jpg

Foto / Photo: SHUN SATO

O predstavi

Silke Huysmans in Hannes Dereere sta gledališka umetnika, ki živita in ustvarjata skupaj, delita si tudi ljubezen do raziskovanja in dokumentarnega gledališča. Na Mlade leve prihajata s predstavo Prijeten otok, ki je njuna druga skupna predstava. V njej razkrivata usodo malega otočka Nauru sredi Pacifiškega oceana, ki so mu ime Prijeten otok nadeli prvi raziskovalci, ki so tja prišli iz evropskih dežel. Otok so z velikim zamahom zajeli kolonizacija, kapitalizem, migracije, pretirano izkoriščanje naravnih virov in posledična ekološka katastrofa. Nekdaj rajski otok je postal sinonim za postapokalipso – poleg ekonomskega, humanitarnega in ekološkega opustošenja otoku grozi dvigajoča se gladina morja. Nauru je znan tudi po tem, da v zameno za finančna sredstva gosti avstralske centre za pridržanje prebežnikov, razmere pa oblasti prikrivajo in na otok ne dovolijo vstopa novinarjem in poročevalcem. Silke Huysmans in Hannes Dereere sta izjemoma dobila dostop na otok, le za kratek čas, z njega pa prinašata pričevanja in predvsem – vprašanja. Kakšna prihodnost čaka Nauru in kakšna je usoda sveta, ki stremi k neskončni rasti in dobičku?

About the performance

Silke Huysmans and Hannes Dereere are theatre artists who live and create together and share a love for exploration and documentary theatre. They are coming to Mladi Levi with the performance Pleasant Island, their second joint performance. In it, they talk about the fate of the small island of Nauru in the middle of the Pacific Ocean, which was named Pleasant Island by the first explorers who arrived on the island from European countries. The island was swept by colonization, capitalism, migration, overexploitation of natural resources and the resulting ecological catastrophe. Once an island paradise, the island became a synonym for post apocalypse – in addition to economic, humanitarian and ecological devastation, the island is threatened by rising sea levels. Nauru is also known for hosting Australian refugee detention centres in exchange for funding, with island authorities covering up the situation and preventing journalists and reporters from entering the island. Silke Huysmans and Hannes Dereere managed to get permission to enter the island for a limited time, and are coming back with testimonies and, above all, questions. What kind of future awaits Nauru and what will be the fate of the world striving for endless growth and profit?