Enya Belak, Jerca Rožnik Novak, Veronika Valdés
BLUFF / BLEF
plesna predstava / a dance performance
Koncept in koreografija / Concept and Choreography: ENYA BELAK, JERCA ROŽNIK NOVAK, VERONIKA VALDÉS
Plesalki / Dancers: JERCA ROŽNIK NOVAK, VERONIKA VALDÉS
Dramaturgija / Dramaturgy: PIA VATOVEC
Oblikovanje svetlobe / Lighting Design: JANKO OVEN
Glasba / Music: SARAH AL SALEH
Kostumografija / Costume Design: PIA GORIŠEK
Oblikovalka maske / Make-up Artist: MARTINA BORŠČAK
Vizualna podoba / Visual Identity: ENYA BELAK
Producentka / Producer: EVA POSEDEL
Produkcija / Produced by: FLOTA LJUBLJANA, FLOTA, ZAVOD, MURSKA SOBOTA
Koprodukcija / Co-produced by: PLESNI TEATER LJUBLJANA
Projekt je sofinanciran / Funded by: Ministrstvo za kulturo in Mestna občina Ljubljana
INFO. / REZ.: 040 757 802, eva.posedel@flota.si, Moje karte
Vstopnice / Tickets: 10/7€ (dijaki, študenti, upokojenci / scholars, students, seniors), predhodna rezervacija ali uro pred predstavo v našem gledališču / booking in advance or an hour before the performance at our theatre
Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture
Foto / Photo: ENYA BELAK
O predstavi
BLUFF skozi izraz dveh gibajočih se entitet preizprašuje podobe teles posameznikov v družbi, ki se spreminjajo v tržno blago in tako postajajo središče spektakla, preko katerega taisti trg sam sebe ves čas ohranja v konstantnem pogonu zasledovanja nečesa boljšega, lepšega in – spektakularnejšega.
Za izhodišče svoje raziskave plesni duet pri tem uporabi področje mode, ki s svojim ambivalentnim odnosom do človeškega telesa povedno ponazori kompleksno dinamiko, ki nastane med okolico in posameznikom, ko se ta pod žarometi spektakla iz subjekta prelevi v objekt.
About the performance
Through the expression of two moving entities, BLUFF interrogates the images/perceptions of the individual bodies in society. Bodies which turn into market goods and thus become the center of the spectacle. The center of the spectacle, through which the same market keeps itself in a constant drive of pursuing something better, more beautiful and - more spectacular.
As a starting point for the research, the dance duo uses the field of fashion, which with its ambivalent attitude towards the human body verbally illustrates the complex dynamics that arise between the environment and the individual. An individual, a subject who under the spotlight slowly but surely turns into the object.