Katarina Barbara Kavčič
SSPJ - PREMIERA / PREMIERE
plesni prvenec / a dance debut
Koncept, koreografija in izvedba / Concept, Choreography & Dance: Katarina Barbara Kavčič
Dramaturgija / Dramaturgy: Nika Leskovšek
Glasba / Music: Marko Jaušovec (EMVI)
Song: Кукла; Mitraljez
Scenografija / Set Design: Vita Kolar (EMVI)
Video: Kristina Rešek
Oblikovanje luči in tehnične rešitve / Light Design & Technical Solutions: Janko Oven
Kostumografija / Costume Design: Nena Florjančič
Kreativni producent / Creative Producer: Katja Somrak
Produkcija / Produced by: Plesni Teater Ljubljana – Prvenec PTL 2017
Koprodukcija / Co-produced by: Kulturno društvo Center plesa
Zahvale / Thanks to: Boris Revo, GT22, vsem ankentirancem in statistom / all survey participants & extras
INFO. / REZ.: 041-365-184, ptl@mail.ljudmila.org, info@ptl-lj.si, Moje karte
Vstopnice / Tickets: 7/5€ (dijaki, študenti, upokojenci / scholars, students, seniors), predhodna rezervacija ali uro pred predstavo v gledališču / prior reservation or an hour before the performance at the theatre
Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture
Foto / Photo: Drago Videmšek
O predstavi
Sodoben ples - - -
Premikanje. Mirovanje.
Človeško telo, mnogoštevilčne izrazne možnosti.
Hoja, sedenje, tek, pogled, objem, skok, obrat, krik.
Posrednik med posameznikovim notranjim dogajanjem in okolico z inovativno uporabo celotne mehanike telesa. Premikanje mej znanega in novo definiranje telesa.
Fluidnost, drznost, abstraktnost. Mikro občutki v telesu.
Resna umetniška praksa z relativno visokimi vstopnimi ovirami za nepoznavalce?
Svoboden um.
Pristop k telesu z radovednostjo, sprejemanjem in brez strahu pred neznanim.
Tla. Kotaljenje.
Gestikulacija.
Odprtost za interpretacijo, odprtost za nerazumevanje.
Dostopnost. Vsak dan, vsepovsod.
Aplavz.
Projekt bo gledalcem nudi platformo za drugačno dojemanje giba na odru, ki niha nekje med abstrakcijo in konkretizacijo. Dotaknemo se problematike nerazumevanja-razumevanja sodobnega plesa in le tega skušamo približati širši laični publiki s pomočjo elementov, ki so jim blizu: zvok, video, tekst in jasne gibalne akcije.
About the performance
Contemporary dance - - -
Moving. Resting.
Human body, multiple possibilities of expression.
Walking, sitting, running, looking, hugging, jumping, turning, screaming.
A mediator between an individual's internal universe and surroundings, with an innovative use of the entire body mechanics. Moving the boundaries of the known, and re‑defining the body.
Fluidity, boldness, abstraction. Micro feelings in the body.
A serious artistic practice with relatively high entry barriers for outsiders?
Free mind.
Approach to the body with curiosity, acceptance, and without fear of the unknown.
Ground. Rolling.
Gesturing.
Openness for interpretation, openness to misunderstanding.
Accessibility. Every day, everywhere.
Applause.
The project will provide the audience with a platform for a different perception of the movement on the stage, which fluctuates somewhere between abstraction and concretization. We will touch upon the issue of misunderstanding‑understanding of contemporary dance, trying to bring it closer to broader lay audience with the help of the elements that are close to them: sound, video, text, and clear movements actions.
O avtorici
Katarina Barbara se je kot otrok ukvarjala z gimnastiko, baletom, modern, in sodobno plesno tehniko. Njeni kreativni začetki so se začeli v "bazi" Center Plesa Maribor, kasneje pa je izobraževanje nadaljevala na SEAD (Salzburg Academy of Dance) in ga leta 2014 zaključila kot diplomirana plesalka sodobnega plesa. Katarina je članica sodobne plesne kompanije Tovarishia Dance Company. Od leta 2016 deluje tudi kot pedagoginja pri Aerial Yoga Maribor. Kot plesalka je sodelovala s številnimi tujimi in domačimi koreografi, zadnja leta pa se posveča predvsem koreografskemu delu, iskanju lastnega plesnega besednjaka ter poučevanju.
About the author
As a child, Katarina Barbara was engaged in gymnastics, ballet, modern, and contemporary dance technique. She began her creative career in the “base” of The Dance Centre in Maribor, and continued her education at the Salzburg Academy of Dance (SEAD), graduating successfully in 2014 as a graduate dancer of contemporary dance. Katarina is a member on dance company Tovarishia Dance Company. She also works as a teacher at Aerial Yoga Maribor since 2016. As a dancer, she collaborated with numerous foreign and domestic choreographers. In recent years she is mainly engaged in choreographic work, searching for her own dance vocabulary, and teaching.