Gregor Luštek
SEN PLESNE NOČI / A DANCING NIGHT'S DREAM
plesna predstava / a dance performance
Avtorstvo in koreografija / Author & Choreography: Gregor Luštek
Ples / Dance: Gregor Luštek, Rosana Hribar, Kaja Lorenci, Vita Osojnik, Žigan Krajnčan, Gašper Kunšek
Dramaturgija / Dramaturgy: Rosana Hribar
Scenografija / Set Design: Ema Kugler
Kostumografija / Costume Design: Rosana Hribar
Glasba / Music: Janez Vidrih, Branko Rožman, Zvezdana Novaković
Oblikovanje svetlobe / Lighting Design: Simon Žižek
Koprodukcija / Co-produced by: Anton Podbevšek Teater & Plesni Teater Ljubljana
INFO. / REZ.: 041-707-475, ptl@mail.ljudmila.org, info@ptl-lj.si, Moje karte
Vstopnice / Tickets: 12/8€ (dijaki, študenti, upokojenci / scholars, students, seniors), predhodna rezervacija ali uro pred predstavo v gledališču / prior reservation or an hour before the performance at the theatre
Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture
Foto / Photo: Barbara Čeferin
O predstavi
Sen plesne noči je predstava o občutljivosti duha, o vidno nevidnih silah plesalčeve notranje biti, ki izhaja iz njegove zavesti, potreb, spoznanj, čustev in hotenj. V tej razsežnosti lastnega imanentnega procesa se objektivna resničnost ves čas izmika in briše meje med iluzijo in dejanskostjo, med strastjo in razumom ter skozi ironično resonanco išče svoj nov modus operandi, ki kot intenzivna, estetsko organizirana in ozaveščena zaznava postaja gledališka izkušnja, ki razpira pot novim zmožnostim branja plesne predstave.
About the performance
A Dancing Night’s Dream is a performance about the sensitivity of the spirit, about the visibly invisible forces of a dancer’s inner being, which stems from his consciousness, his needs, his knowledge, emotions, and aspirations. In this dimension of its own immanent process, objective reality keeps slipping away, blurring the boundary between illusion and reality, between passion and reason, and searching, through ironic resonance, for its new modus operandi, which – in the form of intense, aesthetically organized and conscious perception – is becoming a theater experience that paves the way for new possibilities of reading a dance performance.