• Domov/Home
  • Program/Programme
    • Maj / May 2025
  • Novice/News
  • Razpisi/Open Calls
  • Produkcije/Productions
    • Available for tour/Na voljo za gostovanja
    • Productions/Produkcije
    • Kulturno-umetnostna vzgoja
  • Festivali
    • RAIL2DANCE4UKREP
    • RAIL2DANCE
    • UK[REP] 2022
    • U[KREP] #2 - NOVA SEDANJOST / NEW PRESENT
    • U[KREP] 2020
    • MedUkrep 2019
    • Ukrep 2018: ENTER!
    • MedUkrep 2017
    • UkreP ZA 2016 / Taking Measures - Hope For 2016
  • O NAS/ABOUT US
    • PTL
    • Gledališče/Venue
    • Partnerji/Partners
    • Podporniki/Supporters
  • Naročite se na novice/Subscribe
  • VSTOPNICE/TICKETS
  • Arhiv programa / Programme archive
    • April 2025
    • Marec / March 2025
    • Februar / February 2025
    • Januar / January 2025
    • December 2024
    • November 2024
    • Oktober / October 2024
    • September 2024
    • Avgust / August 2024
    • Junij in julij / June and July 2024
    • Maj / May 2024
    • April 2024
    • Marec / March 2024
    • Februar / February 2024
    • Januar / January 2024
    • December 2023
    • November 2023
    • Oktober / October 2023
    • September 2023
    • Avgust / August 2023
    • RAIL2DANCE4UKREP program festivala
    • Junij / June 2023
    • Maj / May 2023
    • April 2023
    • Marec/March 2023
    • Februar / February 2023
    • Januar / January 2023
    • December 2022
    • November 2022
    • Oktober/October 2022
    • September 2022
    • Avgust/August 2022
    • Julij/July 2022
    • Junij/June 2022
    • UK[REP] 2022
    • Maj/May 2022
    • April 2022
    • Marec/March 2022
    • Februar/February 2022
    • Januar/January 2022
    • December 2021
    • November 2021
    • Oktober/October 2021
    • September 2021
    • Avgust/August 2021
    • Junij/June 2021
    • April 2021
    • Marec/March 2021
    • Februar/February 2021
    • Januar/January 2021
    • December 2020
    • November 2020
    • Oktober/October 2020
    • September 2020
    • Julij/July 2020
    • Junij/June 2020
    • Maj/May 2020
    • April 2020
    • Marec/March 2020
    • Februar/February 2020
    • Januar/January 2020
    • December 2019
    • November 2019
    • Oktober/October 2019
    • September 2019
    • Avgust/August 2019
    • Julij/July 2019
    • Junij/June 2019
    • Maj/May 2019
    • April 2019
    • Marec/March 2019
    • Februar/February 2019
    • Januar/January 2019
    • December 2018
    • November 2018
    • Oktober/October 2018
    • September 2018
    • Avgust/August 2018
    • Junij/June 2018
    • Maj/May 2018
    • April 2018
    • Marec/March 2018
    • Februar/February 2018
    • Januar/January 2018
    • December 2017
    • November 2017
    • Oktober/October 2017
    • September 2017
    • Avgust/August 2017
    • Junij/June 2017
    • Maj/May 2017
    • April 2017
    • Marec/March 2017
    • Februar/February 2017
    • Januar/January 2017
    • December 2016
    • November 2016
    • Oktober/Octobre 2016
    • September 2016
    • Junij/June 2016
    • Maj/May 2016
    • April 2016
    • Marec/March 2016
    • Februar/February 2016
    • Januar/January 2016
    • December 2015
    • November 2015
    • Oktober/October 2015
    • September 2015
    • Junij/June 2015
    • Maj/May 2015
    • April 2015
    • Marec/March 2015
    • Februar/February 2015
    • Januar/January 2015
    • December 2014
    • November 2014
    • Oktober/October 2014
    • September 2014
    • Junij/June 2014
    • Maj/May 2014
    • April 2014
    • Marec/March 2014
    • Februar/February 2014
    • Januar/January 2014
    • December 2013
    • November 2013
    • Oktober/October 2013
    • September 2013
    • Junij/June 2013
    • Maj/May 2013
    • April 2013
    • Marec/March 2013
    • Februar/February 2013

Plesni Teater Ljubljana

  • Domov/Home
  • Program/Programme
    • Maj / May 2025
  • Novice/News
  • Razpisi/Open Calls
  • Produkcije/Productions
    • Available for tour/Na voljo za gostovanja
    • Productions/Produkcije
    • Kulturno-umetnostna vzgoja
  • Festivali
    • RAIL2DANCE4UKREP
    • RAIL2DANCE
    • UK[REP] 2022
    • U[KREP] #2 - NOVA SEDANJOST / NEW PRESENT
    • U[KREP] 2020
    • MedUkrep 2019
    • Ukrep 2018: ENTER!
    • MedUkrep 2017
    • UkreP ZA 2016 / Taking Measures - Hope For 2016
  • O NAS/ABOUT US
    • PTL
    • Gledališče/Venue
    • Partnerji/Partners
    • Podporniki/Supporters
  • Naročite se na novice/Subscribe
  • VSTOPNICE/TICKETS
  • Arhiv programa / Programme archive
    • April 2025
    • Marec / March 2025
    • Februar / February 2025
    • Januar / January 2025
    • December 2024
    • November 2024
    • Oktober / October 2024
    • September 2024
    • Avgust / August 2024
    • Junij in julij / June and July 2024
    • Maj / May 2024
    • April 2024
    • Marec / March 2024
    • Februar / February 2024
    • Januar / January 2024
    • December 2023
    • November 2023
    • Oktober / October 2023
    • September 2023
    • Avgust / August 2023
    • RAIL2DANCE4UKREP program festivala
    • Junij / June 2023
    • Maj / May 2023
    • April 2023
    • Marec/March 2023
    • Februar / February 2023
    • Januar / January 2023
    • December 2022
    • November 2022
    • Oktober/October 2022
    • September 2022
    • Avgust/August 2022
    • Julij/July 2022
    • Junij/June 2022
    • UK[REP] 2022
    • Maj/May 2022
    • April 2022
    • Marec/March 2022
    • Februar/February 2022
    • Januar/January 2022
    • December 2021
    • November 2021
    • Oktober/October 2021
    • September 2021
    • Avgust/August 2021
    • Junij/June 2021
    • April 2021
    • Marec/March 2021
    • Februar/February 2021
    • Januar/January 2021
    • December 2020
    • November 2020
    • Oktober/October 2020
    • September 2020
    • Julij/July 2020
    • Junij/June 2020
    • Maj/May 2020
    • April 2020
    • Marec/March 2020
    • Februar/February 2020
    • Januar/January 2020
    • December 2019
    • November 2019
    • Oktober/October 2019
    • September 2019
    • Avgust/August 2019
    • Julij/July 2019
    • Junij/June 2019
    • Maj/May 2019
    • April 2019
    • Marec/March 2019
    • Februar/February 2019
    • Januar/January 2019
    • December 2018
    • November 2018
    • Oktober/October 2018
    • September 2018
    • Avgust/August 2018
    • Junij/June 2018
    • Maj/May 2018
    • April 2018
    • Marec/March 2018
    • Februar/February 2018
    • Januar/January 2018
    • December 2017
    • November 2017
    • Oktober/October 2017
    • September 2017
    • Avgust/August 2017
    • Junij/June 2017
    • Maj/May 2017
    • April 2017
    • Marec/March 2017
    • Februar/February 2017
    • Januar/January 2017
    • December 2016
    • November 2016
    • Oktober/Octobre 2016
    • September 2016
    • Junij/June 2016
    • Maj/May 2016
    • April 2016
    • Marec/March 2016
    • Februar/February 2016
    • Januar/January 2016
    • December 2015
    • November 2015
    • Oktober/October 2015
    • September 2015
    • Junij/June 2015
    • Maj/May 2015
    • April 2015
    • Marec/March 2015
    • Februar/February 2015
    • Januar/January 2015
    • December 2014
    • November 2014
    • Oktober/October 2014
    • September 2014
    • Junij/June 2014
    • Maj/May 2014
    • April 2014
    • Marec/March 2014
    • Februar/February 2014
    • Januar/January 2014
    • December 2013
    • November 2013
    • Oktober/October 2013
    • September 2013
    • Junij/June 2013
    • Maj/May 2013
    • April 2013
    • Marec/March 2013
    • Februar/February 2013
  • Menu
P3210309.JPG

23., 25. in 26. 3. - 20.00 - Risima Risimkin / Rosana Hribar: ORLANDINA - PREMIERA

February 16, 2018

Risima Risimkin / Rosana Hribar

ORLANDINA - PREMIERA / PREMIERE

koreografija za Rosano Hribar / a choreography for Rosana Hribar

 

Koreografija / Choreography: Risima Risimkin

Ples / Dance: Rosana Hribar

Avtorska glasba / Original Music: Toni Kitanovski

Kostumografija in scenografija / Costume and Set Design: Alan Hranitelj

Lučno oblikovanje / Lighting Design: Aljaž Zaletel

Producentka / Producer: Živa Brecelj

Produkcija / Produced by: Plesni Teater Ljubljana

Koprodukcija / Co-produced by: Dance Fest Skopje / Interart Culture Centre

 

INFO. / REZ.: 041-707-475, ptl@mail.ljudmila.org, info@ptl-lj.si, Moje karte

Vstopnice / Tickets: 10/8€ (dijaki, študenti, upokojenci / scholars, students, seniors), predhodna rezervacija ali uro pred predstavo v gledališču / prior reservation or an hour before the performance at the theatre

 

Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture

P3220577-Edit.JPG
P3210311-Edit.JPG
P3210335-Edit-2.JPG

Foto / Photo: Drago Videmšek

 

O predstavi

Orlandina je predstava, posvečena plesalki Rosani Hribar in času. Izhaja iz knjižne predloge Virginie Woolf z naslovom Orlando. Orlandina, kot jo je poimenovala avtorica, je intimna pripoved plesalke, ki se prepleta skozi pogled treh močnih žensk iz različnih kulturnih, političnih in časovnih obdobij: Virginie Woolf, Risime Risimkin in Rosane Hribar.

»ORLANDO NI ŽENSKA, KI SE OBNAŠA KOT MOŠKI. ORLANDO JE MOŠKI. IN JE ŽENSKA. […..] IN V TEM NI NIČ NENARAVNEGA.«

Sharron E. Knopp

About the performance

Orlandina is a performance dedicated to dancer Rosana Hribar and to time. It is based on the novel Orlando by Virginia Woolf. Orlandina, as it was named by the author, is an intimate story of a dancer, told through the eyes of three strong women from different cultural, political and time periods: Virginia Woolf, Risima Risimkin, and Rosana Hribar.

“ORLANDO IS NOT A WOMAN ACTING LIKE A MAN. ORLANDO IS A MAN. AND A WOMAN. […..] AND THERE IS NOTHING UNNATURAL ABOUT IT.”

Sharron E. Knopp

O avtoricah

Risima Risimkin je ena izmed vodilnih makedonskih koreografinj ter umetniška direktorica festivala Dance Fest Skopje in Dance Theatre Skopje. Na Univerzi sv. Cirila in Metoda v Skopju je doktorirala z disertacijo »Primerjalna poetika sodobnih plesnih stilov v Evropi v 20. stoletju«.  Trenutno poučuje na Univerzi Goce Delčev v Štipu, kjer je predstojnica oddelka za sodobni ples.

Risima je ustanoviteljica kulturnega centra Interart (1996), katerega dejavnosti so prispevale k razvoju sodobne plesne scene v Makedoniji. V sezoni 2012/2013 je delala kot glavna koreografinja Nacionalnega baleta v turški Antalyi.

Spada med najvidnejše sodobne makedonske koreografe in je predstavnica avant-garde na področju sodobnega ustvarjanja. S svojim delom se stalno giba v smeri razvoja sodobnega plesa v Makedoniji. Je avtorica več kot tridesetih avtorskih projektov tako v Makedoniji kot v tujini, kar jo uvršča med najplodovitejše makedonske ustvarjalce na področju sodobnega plesa. Njene predstave med drugim uprizarjajo na odrih v Nemčiji, na Nizozemskem, na Kitajskem, na Portugalskem, v Veliki Britaniji, Turčiji, Bolgariji, Nigeriji, Grčiji, na Hrvaškem, v Srbiji in Črni gori.

 

Rosana Hribar je ena najvidnejših predstavnic generacije sodobnih plesalcev iz zgodnjih sedemdesetih let prejšnjega stoletja. Šolanje je zaključila na Akademiji za ples v Ljubljani in magistrirala iz umetnosti giba na ljubljanski Akademiji za gledališče, radio, film in televizijo v Ljubljani. V zadnjih dveh desetletjih je kot plesalka in koreografinja sodelovala s skoraj vsemi najpomembnejšimi slovenskimi koreografi, z mnogimi gledališkimi režiserji ter sodobno plesnimi in baletnimi skupinami doma in v tujini. Za svoje avtorsko delo je prejela Trdinovo nagrado mestne občine Novo mesto 2008 za pomembnejše trajne uspehe na področju sodobne plesne umetnosti, najvišjo nagrado za izjemne umetniške dosežke mesta Ljubljane, Župančičevo nagrado 2011 ter najvišjo državno nagrado, Nagrado Prešernovega sklada 2015. V zadnjih letih še posebej izstopajo serije spektakularnega trans-žanrskega pas de deuxa. Zanje je prejela nagrade na nekaterih najuglednejših mednarodnih plesnih tekmovanjih in domači platformi Gibanica. Je trikratni prejemnik nagrade Povodni mož za najboljšo predstavo leta in plesni film 10 let, ki je med drugim tudi dobitnik nagrade Vesna za najboljši kratki film na festivalu slovenskega filma.

About the authors

Risima Risimkin is one of the leading Macedonian choreographers and artistic director of Dance Fest Skopje and Skopje Dance Theater. She received her PhD from the University of “St. Cyril and Methodius” in Skopje, Macedonia with the thesis “Comparative poetics of contemporary dance styles in 20 century in Europe”. She currently teaches at the State University “Goce Delčev” in Štip, Macedonia, where she is head of the contemporary dance department.

Risimkin is the founder of the Interart Centre for Culture (1996), whose activities have helped the development of the Macedonian contemporary dance scene. In the season 2012/2013, she was working as Head choreographer of the State Ballet of Antalya, Turkey.

Risimkin is one of the most prolific contemporary Macedonian choreographers – an avant garde representative in contemporary creation. With her work, she is constantly moving in the direction of development of contemporary dance in Macedonia. She has made more than thirty authorial projects, both in Macedonia and abroad, which established her as one of the most fruitful Macedonian creators in the field of contemporary dance. Her performances have been staged in Germany, Netherlands, China, Portugal, United Kingdom, Turkey, Bulgaria, Niger, Greece, Croatia, Serbia, Monte Negro, etc.

 

Rosana Hribar is one of the most prominent members of the early 1970s generation of contemporary dancers. She graduated from the Dance Academy Ljubljana and holds a Master’s degree in Art of Movement at the Academy of Theatre, Radio, Film and Television in Ljubljana. In the past two decades, Rosana collaborated as a dancer and choreographer with almost all major Slovenian choreographers, many theatre directors, and various contemporary dance and ballet ensembles, both at home and abroad. She received the Trdina Award by the City of Novo Mesto for important lasting achievements in the field of contemporary dance in 2008, the Župančič Award, the highest artistic award of the City of Ljubljana, in 2001, and the highest national award, Prešeren Fund Award, in 2015. Recent years have been marked by a series of spectacular trans-genre pas de deux performances, which brought her awards at some of the most prestigious international dance competitions as well as at the domestic platform Gibanica / Moving Cake. She is a three time recipient of the River Man Award for Best Performance of the Year and for the dance film 10 years, which, among others, also won the Vesna Award for Best Short Film at the Festival of Slovenian Film.

← 17. 3. - 20.00 - Gisela Elisa Heredia: SMOKEY HUGS AND CAPPUCCINO / ZADIMLJENI OBJEMI IN KAPUČINO