DEMI UKREP - 2. epizoda / DEMI UKREP - 2nd episode
Platforma mladih koreografov na odru Plesnega Teatra Ljubljana / Platform of young choreographers on the stage of Dance Theatre Ljubljana
17. 5. ob / at 19. 00
Šola za sodobni ples Ane Maletič
BESI
plesna predstava / a dance performance
Koreografija / Choreography: Milan Tomášik
Plesni material je učenkam predala / Dance material taught to the students by: Michaela Mirtová
Režija, dramaturgija in glasba / Direction, Dramaturgy and Music : Jakub Mudrák
Scenografija / Scenography: Ivana Macková
Oblikovanje luči originalne izvedbe / Original performance lighting design: Ján Čief
Osvetlitev na javnem izpitu / Lighting for the public exam: Saša Fistrić
Izvajalke / Performers:
3. razred / 3rd grade: Bojana Gorenjak, Ester Groeneweg, Margita Ivković, Lota Jakubin, Ivana Megla, Tiora Meglaj, Ruta Pavelić, Ana Perković, Izabela Štrac, Roza Vodopija, Ariana Zović, Anđela Zrnić
4. razred /4th grade: Agata Bučar, Tara Ferković, Lucija Fresl, Nika Hočevar, Maja Kapulica, Hanna Kocijančić, Mia Petrinović, Petra Pisuljak, Leona Radanec, Marta Škudar
Učiteljici / Teachers: Eni Vesović in Gordana Svetopetrić
Produkcija javnega izpita / Public exam production: Šola sodobnega plesa Ane Maletić
Projekt je izveden ob finančni podpori Ministrstva za kulturo in medije Republike Hrvaške Public / The project was realized with financial support from the Ministry of Culture and Media of the Republic of Croatia
O projektu:
Učenke 3. in 4. razreda Šole sodobnega plesa Ane Maletić v sklopu rednega predmeta Scenske prakse izvajajo predstavo BESI.
Predstava Besi je nastala leta 2021 v gledališču Divadlo Štúdio tanca v Banski Bystrici (Slovaška), v koreografiji Milana Tomášika.
Vir navdiha za umetniško ekipo predstave je lepota. V ustvarjalnem procesu se je ekipa osredotočila na zgodovinski razvoj dojemanja lepote in vprašanja, ki iz njega izhajajo: Kako danes razumemo lepoto? Kaj je danes resnično lepo? Kakšno vrednost pridobi lepota v času relativiziranih vrednot? Ali zaznava lepote vpliva na delovanje družbe ali na medosebne odnose?
Iz teh in podobnih vprašanj, zlasti iz iskanja njihovih odgovorov, nastaja tematski mozaik, ki tvori jedro predstave. To je predstava o lepoti, pa tudi o grdoti, o demonih v nas, ki so sposobni uničiti lepoto. Ena od inspiracij za umetniško ekipo je bila tudi francoska srednjeveška zbirka poezije Roman o vrtnici, bogata z metaforami in alegoričnimi podobami, ki je služila kot spodbuda za nastanek koreografije in vizualnega koncepta predstave.
About project:
Students of the 3rd and 4th grades of the Ana Maletić School of Contemporary Dance, as part of their regular class Stage Practice, perform the production BESI.
The performance Besi was created in 2021 at the Divadlo Štúdio tanca theatre in Banská Bystrica (Slovakia), choreographed by Milan Tomášik.
A source of inspiration for the production’s artistic team is beauty. In the creative process the team focused on the historical development of the perception of beauty and the questions that arise from it: How do we understand beauty today? What is truly beautiful now? What value does beauty hold in a time of relativized values? Does the sense of beauty affect how society functions or interpersonal relationships?
From these and similar questions, and especially from the search for their answers, a thematic mosaic is formed that constitutes the core of the performance. It is a piece about beauty, but also about ugliness, about the demons within us capable of destroying beauty. One of the inspirations for the artistic team was the French medieval poetry collection Roman de la Rose, rich in metaphors and allegorical images, which served as an impetus for the choreography and the visual concept of the production.
F: Katarina Kolenc, SHIFTS
17. 5. ob / at 19. 30
Brina Dokl, Roula Samiotaki
SHIFTS / PREOBRAČANJA (SI, GR)
plesna predstava / a dance performance
Koncept, koreografija in izvedba / Idea, Choreography and Performance: BRINA DOKL, ROULA SAMIOTAKI
Glasba / Music: GIORGOS KANOUPAKIS
Mentorstvo, dramaturgija / Mentorship, Dramaturgy: NATALIJA MANOJLOVIĆ VARGA
Oblikovanje luči / Lighting Design: JANKO OVEN
Kreativna producentka / Creative Producer: KATJA SOMRAK
Produkcija / Production: PLESNI TEATER LJUBLJANA - PTL PRVENEC 2025
Posebna zahvala / Special thanks: ANAMARIA KLAJNŠČEK, PETRA DOKL, MIRKO DOKL, ANDREJA FIR, NIKA BRDAR
About project:
SHIFTS
Shifting roots of the roles
The dance duet Shifts questions what closeness, contact, relationship means – when does the touch slip into tension and when does an embrace suffocate instead of comforting. Two dancers, two bodies, meeting on the thin line between love and resistance, between extended hands and emptiness, between what remains and what eludes. The sound of electronic music, physical contact and fluid movement guide them through constant transformations – a gesture becomes a question, a touch changes space, a relationship is reoriented with movement. Choreographers and performers Brina Dokl and Roula Samiotaki play with the possibilities of the common through exchange of power and tenderness, perception and impulse. Their work is based on the practice of connectedness, where movement is never taken for granted – it is a response, a listening, a commitment to stay in motion. Always in between. Always between two. Never just one.
O projektu:
Premikajoče se korenine vlog.
Plesni duet Shifts preizprašuje, kaj pomenijo bližina, stik, odnos – kdaj dotik zdrsne v napetost in kdaj objem zaduši, namesto tolaži. Dve plesalki, dve telesi, ki se srečujeta na tanki meji med ljubeznijo in uporom, med ponujenimi rokami in praznino, med tem, kar ostaja, in tistim, kar se izmika. Zvok elektronske glasbe, fizični kontakt in fluidno gibanje ju vodijo skozi nenehne transformacije – gesta postane vprašanje, dotik spremeni prostor, odnos se z gibanjem preusmeri. Koreografinji in izvajalki Brina Dokl in Roula Samiotaki se skozi izmenjavo moči in nežnosti, zaznave in impulza igrata z možnostmi skupnega. Delo temelji na praksi povezanosti, kjer gib ni nikoli samoumeven – je odziv, poslušanje, zaveza ostati v gibanju. Vedno vmes. Vedno med dvema. Nikoli le ena.
17. 5. ob / at 20. 30
Bor Prokofjev
EQULIBRIUM / RAVNOVESJE
plesna predstava / a dance performance
Avtorstvo, koreografija in izvedba / Autorship, Choreography and Performance: BOR PROKOFJEV
Avtorska glasba / Music: KRISTIJAN KRAJNČAN
Oblikovanje zvoka / Sound Design: BOR PROKOFJEV
Oblikovanje svetlobe / Light Design: ALJAŽ ZALETEL
Mentorstvo / Mentorship: VITA OSOJNIK
Svetovalec za gib/ Movement Adviser: GAŠPER KUNŠEK
Zunanje oko / Outside Eye: ALJA LACKOVIĆ
Kreativna producentka / Creative Producer: KATJA SOMRAK
Produkcija / Produced by: PLESNI TEATER LJUBLJANA, PRVENEC 2024 / DEBUT 2024
About the project:
Bor Prokofjev’s debut Equilibrium is a transformative performance where dance becomes a vessel for personal metamorphosis, in which the public witnesses a profound evolution of self-expression and identity, through constant movement.. Physical limitations and repeated external factors affect a person not only on a physical level, but also mentally, which can cause a state of instability that the dancer struggles with in his solo. It is precisely this loss of balance that leads him into unknown situations.
Equilibrium means balance. Through constant movement of the physical and mental body, the dancer travels the path out of balance with the intention of discovering something new within himself and placing that in his equilibrium.
O projektu:
Plesno-gibalni prvenec Bora Prokofjeva Ravnovesje je transformativni performans, kjer ples postane posoda za osebno metamorfozo, v katerem bodo gledalci priča globoki evoluciji samoizražanja in identitete skozi nenehno gibanje. Fizične omejitve in ponavljajoči se zunanji dejavniki na človeka ne vplivajo le na fizični ravni, temveč tudi na mentalni, kar pa lahko povzroči nestabilnosti, s katerimi se spopada plesalec v svojem solu. Prav to pa ga popelje v še ne znane situacije.
Equilibrium pomeni ravnovesje. Skozi nenehno gibanje fizičnega in mentalnega telesa, plesalec potuje po poti iz ravnovesja z namenom, da bi odkril nekaj novega v sebi in to vmestil v svoj equilibrium.
