Blanca Arrieta
ZAČASNO PORAVNANA TELESA / REALIGNMENTS
plesna predstava/ a dance performance
Avtorstvo in koreografija / Authorship and Choreography: BLANCA ARRIETA
Asistenca koreografije in soustvarjanje / Choreography Assistance & Co-creation: VITA OSOJNIK
Soustvarjanje in ples / Co-creation & Dance: ALJA BRANC, PATRICIJA CRNKOVIČ, LARA MATEA IVANČIČ, EMA KRIŽIČ, LUKA OSTREŽ, JULIJA PEČNIKAR
Avtorska glasba / Original Music: MATEVŽ KOLENC
Kostumografija / Costume Design: ALAN HRANITELJ
Oblikovanje svetlobe / Lighting Design: ALJAŽ ZALETEL
Video: GREGOR GOBEC
Kreativna producentka / Creative Producer: KATJA SOMRAK
Produkcija / Produced by: PLESNI TEATER LJUBLJANA
Koprodukcija / Co-produced by: DANTZAZ
Podpora / Supported by: VELEPOSLANIŠTVO ŠPANIJE V SLOVENIJI /
EMBAJADA DE ESPAÑA EN ESLOVENIA, ETXEPARE INSTITUTUA
Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture
O predstavi
Delimo si ritem. Imamo namen. Iščemo smisel. Ustvarjamo gibanje, ki govori o tem iskanju. Uporabljamo ponovitve. Spreminjamo se. Kaj je torej gesta?
Zaradi izjemnih okoliščin med procesom ustvarjanja je predstava ZAČASNO PORAVNANA TELESA nastajala na daljavo, s spletnimi sestanki in videokonferencami. Naša metodologija je vključevala razmišljanje o ter preučevanje izbranih umetniških materialov, običajne fizične naloge, povratne informacije in evalvacijo. Osnove so se razvijale naravno, pri čemer so nastajale posamezne gibalne partiture ter jasni obrisi identitete predstave. Naključje, svobodna volja in avtonomija, s ciljem odkrivanja resnično novih teritorijev.
Spodaj je nekaj razmišljanj in opažanj plesalk in plesalca: Alje, Eme, Lare, Luke, Patricije in Julije.
»Gesta vsebuje nekaj neizogibnega, in to je gibanje.«
»Izvedi partituro z zaprtimi očmi. Geste postanejo nekoliko manjše, a so še naprej stabilne. Izgubi se v ponavljanju.«
»Skrivanje in razkrivanje. Rada bi se več igrala. Rada bi, da bi imela elastičnost mehkih tkiv večjo vlogo. Kako v geste vnesti več zaobljenosti, če je njihov izvor geometrijski?«
»Najbolj nenavaden, najobčutljivejši del telesa.«
»Lepo se je bilo vrniti k osnovam. Intenzivnost mišic in celotne telesne zgradbe, tako rekoč samega skeleta. Želela sem razumeti pomene določenih poz. Jutri bom morda nanje gledala s povsem druge perspektive.«
»Ni napak, samo drobne vesele nezgode.«
»Zdi se, kot da se zadnji del vratu dvigne in pade na roko. Čeljustni pogovor.«
»Veličastno vznemirjenje.«
»Gibanje, stalno pogajanje in odločanje. Taljenje, zapreti oči, odpreti nogo, sprostiti čeljust, ustvariti prostor za prste, projekcija celotne figure, sprostitev.«
»Preobrazba, prilagoditi se.«
About the performance
We are sharing a beat. We have a purpose. We are searching for meaning. We are creating movement that speaks about this search. We use repetition. We change. So what is a gesture?
Due to the unique circumstances during the creation process, REALIGNMENTS unfolded at a distance, using online meetings and video interactions. Our methodology involved reflecting on and studying selected art materials, common physical tasks, feedback and review. The fundamentals evolved naturally, generating individual scores of movement and a clear path for the identity of the work. Chance, free will and self-determination, with the aim of touching on genuinely unexplored territory.
Below are some reflections and notes from the dancers: Alja, Ema, Lara, Luka, Patricija and Julija.
“There is something unavoidable in a gesture, and it is movement.”
“Run a score with closed eyes. Gestures become a bit smaller, but they stay solid. Get lost in repetition.”
“Hiding and exposing. I would like to play more. I would like to invite the elasticity of soft tissues to play a bigger role. How to bring more curves into the gestures when their origin is geometrical?”
“The strangest, most sensible part of the body.”
“It was a nice thing to come back to the basics. The intensity of the muscles and the whole body structure, the skeleton itself, so to speak. I wanted to understand the meanings of certain poses. Tomorrow, I might look at them from an entirely different perspective.”
“No mistakes, just happy little accidents.”
“Feels as if the back of the neck is lifted and dropped on the hand. Jaw conversation.”
“Gloriously agitated.”
“Moving, constant negotiation and decision making. Melting, to close the eyes, to open the leg, to relax the jaw, to create the space for fingers, to project the whole figure, to release.”
“Transformation, to readjust.”