Martin Inthamoussú / Vita Osojnik
MANADA / HORDA
izvirna adaptacija plesne predstave / original adaptation of dance performance
Avtorstvo, koncept in koreografija originalne predstave / Author of Concept & Choreographer of the Original: MARTIN INTHAMOUSSÚ
Izvirna adaptacija/Vodja kolektiva / Original Adaptation/Head of Collective: VITA OSOJNIK
Soustvarjalci in izvajalci / Co-created and Performed by: KAJA JANJIĆ, BENO NOVAK, VITA OSOJNIK, VERONIKA VALDÉS, ENI VESOVIĆ
Gostji / Guests: LUČKA & LARA JAKŠE
Avtorska priredba glasbe / Music Adaptation: KAJA JANJIĆ
Oblikovanje svetlobe / Lighting Design: ALJAŽ ZALETEL / MARTIN RODRIGUEZ
Kreativna producentka v SLO / Creative Producer in SLO: KATJA SOMRAK
Produkcija slovenske adaptacije / Slovenian Adaptation Produced by: PLESNI TEATER LJUBLJANA
Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture
O predstavi
Posebnost "slovenske adaptacije" je v tem, da jo je vodja kolektiva sicer zasnovala v navezavi z avtorjem, a se je določenih konceptov lotila popolnoma po svoje, in sicer v sodelovanju z mlado, svežo ekipo plesalcev in plesalk, ki skupaj preizprašujejo predvsem razgradnjo fantazme maskulinosti na odru: "Kako sodobni moški konstruirajo svojo moškost? Kako sodobne ženske gradijo svojo ženskost? Kaj vse danes zaznamuje spol in kateri so diskurzi, ki prečkajo to družbeno in umetniško konstrukcijo? In nenazadnje, kako graditi spol na odru?"
About the performance
The distinctive feature of the "Slovenian adaptation" of the performance is that while the head of the collective worked in co‑operation with the author, Vita Osojnik dealt with certain concepts entirely on her own way, in cooperation with a young, fresh team of dancers who are dealing as a group with deconstruction of masculinity on stage: "How do modern men construct their masculinity? How do modern women construct their femininity? What characterizes gender today, and what are the discourses that traverse this social and artistic construct? And, last but not least, how to construct gender on the stage?"
Foto / Photo: Drago Videmšek