• Domov/Home
  • Program/Programme
    • Maj / May 2025
    • Junij / June 2025
  • Novice/News
  • Razpisi/Open Calls
  • Produkcije/Productions
    • Available for tour/Na voljo za gostovanja
    • Productions/Produkcije
    • Kulturno-umetnostna vzgoja
  • Festivali
    • RAIL2DANCE4UKREP
    • RAIL2DANCE
    • UK[REP] 2022
    • U[KREP] #2 - NOVA SEDANJOST / NEW PRESENT
    • U[KREP] 2020
    • MedUkrep 2019
    • Ukrep 2018: ENTER!
    • MedUkrep 2017
    • UkreP ZA 2016 / Taking Measures - Hope For 2016
  • O NAS/ABOUT US
    • PTL
    • Gledališče/Venue
    • Partnerji/Partners
    • Podporniki/Supporters
  • Naročite se na novice/Subscribe
  • VSTOPNICE/TICKETS
  • Arhiv programa / Programme archive
    • April 2025
    • Marec / March 2025
    • Februar / February 2025
    • Januar / January 2025
    • December 2024
    • November 2024
    • Oktober / October 2024
    • September 2024
    • Avgust / August 2024
    • Junij in julij / June and July 2024
    • Maj / May 2024
    • April 2024
    • Marec / March 2024
    • Februar / February 2024
    • Januar / January 2024
    • December 2023
    • November 2023
    • Oktober / October 2023
    • September 2023
    • Avgust / August 2023
    • RAIL2DANCE4UKREP program festivala
    • Junij / June 2023
    • Maj / May 2023
    • April 2023
    • Marec/March 2023
    • Februar / February 2023
    • Januar / January 2023
    • December 2022
    • November 2022
    • Oktober/October 2022
    • September 2022
    • Avgust/August 2022
    • Julij/July 2022
    • Junij/June 2022
    • UK[REP] 2022
    • Maj/May 2022
    • April 2022
    • Marec/March 2022
    • Februar/February 2022
    • Januar/January 2022
    • December 2021
    • November 2021
    • Oktober/October 2021
    • September 2021
    • Avgust/August 2021
    • Junij/June 2021
    • April 2021
    • Marec/March 2021
    • Februar/February 2021
    • Januar/January 2021
    • December 2020
    • November 2020
    • Oktober/October 2020
    • September 2020
    • Julij/July 2020
    • Junij/June 2020
    • Maj/May 2020
    • April 2020
    • Marec/March 2020
    • Februar/February 2020
    • Januar/January 2020
    • December 2019
    • November 2019
    • Oktober/October 2019
    • September 2019
    • Avgust/August 2019
    • Julij/July 2019
    • Junij/June 2019
    • Maj/May 2019
    • April 2019
    • Marec/March 2019
    • Februar/February 2019
    • Januar/January 2019
    • December 2018
    • November 2018
    • Oktober/October 2018
    • September 2018
    • Avgust/August 2018
    • Junij/June 2018
    • Maj/May 2018
    • April 2018
    • Marec/March 2018
    • Februar/February 2018
    • Januar/January 2018
    • December 2017
    • November 2017
    • Oktober/October 2017
    • September 2017
    • Avgust/August 2017
    • Junij/June 2017
    • Maj/May 2017
    • April 2017
    • Marec/March 2017
    • Februar/February 2017
    • Januar/January 2017
    • December 2016
    • November 2016
    • Oktober/Octobre 2016
    • September 2016
    • Junij/June 2016
    • Maj/May 2016
    • April 2016
    • Marec/March 2016
    • Februar/February 2016
    • Januar/January 2016
    • December 2015
    • November 2015
    • Oktober/October 2015
    • September 2015
    • Junij/June 2015
    • Maj/May 2015
    • April 2015
    • Marec/March 2015
    • Februar/February 2015
    • Januar/January 2015
    • December 2014
    • November 2014
    • Oktober/October 2014
    • September 2014
    • Junij/June 2014
    • Maj/May 2014
    • April 2014
    • Marec/March 2014
    • Februar/February 2014
    • Januar/January 2014
    • December 2013
    • November 2013
    • Oktober/October 2013
    • September 2013
    • Junij/June 2013
    • Maj/May 2013
    • April 2013
    • Marec/March 2013
    • Februar/February 2013

Plesni Teater Ljubljana

  • Domov/Home
  • Program/Programme
    • Maj / May 2025
    • Junij / June 2025
  • Novice/News
  • Razpisi/Open Calls
  • Produkcije/Productions
    • Available for tour/Na voljo za gostovanja
    • Productions/Produkcije
    • Kulturno-umetnostna vzgoja
  • Festivali
    • RAIL2DANCE4UKREP
    • RAIL2DANCE
    • UK[REP] 2022
    • U[KREP] #2 - NOVA SEDANJOST / NEW PRESENT
    • U[KREP] 2020
    • MedUkrep 2019
    • Ukrep 2018: ENTER!
    • MedUkrep 2017
    • UkreP ZA 2016 / Taking Measures - Hope For 2016
  • O NAS/ABOUT US
    • PTL
    • Gledališče/Venue
    • Partnerji/Partners
    • Podporniki/Supporters
  • Naročite se na novice/Subscribe
  • VSTOPNICE/TICKETS
  • Arhiv programa / Programme archive
    • April 2025
    • Marec / March 2025
    • Februar / February 2025
    • Januar / January 2025
    • December 2024
    • November 2024
    • Oktober / October 2024
    • September 2024
    • Avgust / August 2024
    • Junij in julij / June and July 2024
    • Maj / May 2024
    • April 2024
    • Marec / March 2024
    • Februar / February 2024
    • Januar / January 2024
    • December 2023
    • November 2023
    • Oktober / October 2023
    • September 2023
    • Avgust / August 2023
    • RAIL2DANCE4UKREP program festivala
    • Junij / June 2023
    • Maj / May 2023
    • April 2023
    • Marec/March 2023
    • Februar / February 2023
    • Januar / January 2023
    • December 2022
    • November 2022
    • Oktober/October 2022
    • September 2022
    • Avgust/August 2022
    • Julij/July 2022
    • Junij/June 2022
    • UK[REP] 2022
    • Maj/May 2022
    • April 2022
    • Marec/March 2022
    • Februar/February 2022
    • Januar/January 2022
    • December 2021
    • November 2021
    • Oktober/October 2021
    • September 2021
    • Avgust/August 2021
    • Junij/June 2021
    • April 2021
    • Marec/March 2021
    • Februar/February 2021
    • Januar/January 2021
    • December 2020
    • November 2020
    • Oktober/October 2020
    • September 2020
    • Julij/July 2020
    • Junij/June 2020
    • Maj/May 2020
    • April 2020
    • Marec/March 2020
    • Februar/February 2020
    • Januar/January 2020
    • December 2019
    • November 2019
    • Oktober/October 2019
    • September 2019
    • Avgust/August 2019
    • Julij/July 2019
    • Junij/June 2019
    • Maj/May 2019
    • April 2019
    • Marec/March 2019
    • Februar/February 2019
    • Januar/January 2019
    • December 2018
    • November 2018
    • Oktober/October 2018
    • September 2018
    • Avgust/August 2018
    • Junij/June 2018
    • Maj/May 2018
    • April 2018
    • Marec/March 2018
    • Februar/February 2018
    • Januar/January 2018
    • December 2017
    • November 2017
    • Oktober/October 2017
    • September 2017
    • Avgust/August 2017
    • Junij/June 2017
    • Maj/May 2017
    • April 2017
    • Marec/March 2017
    • Februar/February 2017
    • Januar/January 2017
    • December 2016
    • November 2016
    • Oktober/Octobre 2016
    • September 2016
    • Junij/June 2016
    • Maj/May 2016
    • April 2016
    • Marec/March 2016
    • Februar/February 2016
    • Januar/January 2016
    • December 2015
    • November 2015
    • Oktober/October 2015
    • September 2015
    • Junij/June 2015
    • Maj/May 2015
    • April 2015
    • Marec/March 2015
    • Februar/February 2015
    • Januar/January 2015
    • December 2014
    • November 2014
    • Oktober/October 2014
    • September 2014
    • Junij/June 2014
    • Maj/May 2014
    • April 2014
    • Marec/March 2014
    • Februar/February 2014
    • Januar/January 2014
    • December 2013
    • November 2013
    • Oktober/October 2013
    • September 2013
    • Junij/June 2013
    • Maj/May 2013
    • April 2013
    • Marec/March 2013
    • Februar/February 2013
  • Menu
BloodBrothers_PhotoMaxime Coulibaly.jpg

21. in 22. 4. - 19.30 - 20. Exodos: KRI/BRATA

March 21, 2017

Ahmed Tobasi, Adonis Nébié

KRI/BRATA / BLOOD/BROTHERS - 20. Exodos

plesno-gledališka predstava / a dance-theatre performance

 

Ustvarjalca in izvajalca / Created and Performed by: Ahmed Tobasi, Adonis Nébié

Dramaturginja / Dramaturgy: Hildegard De Vuyst

Produkcija / Produced by: Festival de Marseille - produkcija v okviru projekta 1Space, ki ga podpira EU program Ustvarjalna Evropa. / this production was made in the frame of 1Space project. 1Space is co-funded by the Creative Europe Programme of the European Union.

Koprodukcija festivala / Festival Co-produced by: Plesni Teater Ljubljana / Dance Theatre Ljubljana

 

Celotna predstavitev festivala in predprodaja kart: www.exodosljubljana.si od 4. aprila / For detail information & tickets sales go to www.exodosljubljana.si (from April 4)

Vstopnice / Tickets: Moje karte

 

Program Plesnega Teatra Ljubljana sofinancirata Ministrstvo za kulturo RS in Mestna občina Ljubljana, Oddelek za kulturo / The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture

Adonis_Tobasi__DSC8706.jpg
Adonis_Tobasi__DSC8572.jpg
Adonis_Tobasi__DSC8581.jpg
BloodBrothers_PhotoMaxime Coulibaly.jpg
Adonis_Tobasi__DSC8618.jpg

Foto / Photo: Maxime Coulibaly, Sofie Debackere

 

O predstavi

Predstavo je navdihnila zgodba o Kajnu in Abelu, prvima otrokoma Adama in Eve. Govori o razmerju med tema bratoma, med Kajnom kot prvim človekom in Abelom kot prvim umrlim človekom. Rodila sta se po padcu človeka, v materinih očeh sta bila ustvarjena enaka. A nekega dne, med prinašanjem žrtev Bogu, je enemu sinu dala prednost pred drugim in tako med njima povzročila nepomirljiv razdor.

Kri/brata je delo enega plesalca in enega igralca, dveh posameznikov iz edinstvenih, a enako brutalnih življenjskih okolij, kjer diskriminacija in neenakost oblikujeta preteklost, sedanjost in prihodnost. Ustvarila sta bogato in čustveno nabito predstavo, v kateri raziskujeta različna dojemanja zemlje, naroda, religije in tradicije, mnogotere oblike zatiranja in njegove posledice, kot se kažejo v družinskem življenju in bratovskih vezeh.

About the performance

Inspired by the story of Cain and Abel, the first children of Adam and Eve, this piece explores the relationship between the two brothers: Cain as the first human born and Abel as the first human to die. Born after the Fall of Man, they were created equal in their mother’s eyes. One day upon offering their sacrifices to God she chooses to favour one brother over another, creating an irreparable divide between the two brothers.

Blood/Brothers has been created by one dancer and one actor, two individuals from unique, yet equally brutal life environments where discrimination and inequality shape the past, present and future. Staring from the point of their different races, nationalities and identities, this collaboration explores different understandings of land, nation, religion and tradition, the many forms of oppression and their effects as shown in family life and the bond of brotherhood.

O avtorjih

Adonis Nébié se je rodil v Burkina Fasu, državi, ki jo je razdejal kolonializem. Znan je kot energičen, hiter in gibčen plesalec. Svojo uprizoritveno dejavnost in svoj koreografski pristop dopolnjuje s predajanjem znanja drugim. Redno vodi in omogoča treninge in delavnice, tako v Afriki kot drugod po svetu.

Ahmed Tobasi je igralec, režiser in učitelj z delovnimi izkušnjami v palestinskih in mednarodnih gledališčih. Rodil se je v begunskem taborišču Jenin in odraščal pod izraelsko okupacijo, se šolal najprej v Freedom Theatru, nato v norveškem Nordic Black Theatru. Leta 2013 se je vrnil v Jenin in k Freedom Theatru, da prispeva k lokalnemu umetniškemu gibanju, osredotočenemu na kulturo kot obliko upora.

Flamska dramaturginja Hildegard De Vuyst se ukvarja predvsem z medkulturno plesno dramaturgijo. 15 let pa je delala za KVS (Flamsko kraljevsko gledališče), zdaj pa se posveča rezidenčnemu programu pri skupini Alaina Platela les Ballets C de la B v Gentu ter Festivalu v Marseillu na jugu Francije.

About the authors

Born in Burkina Faso, a country ravished by colonialism, Adonis Nébié gained a reputation as an energetic, fast and fluid dancer. Beyond his commitment as an interpreter and his approach as a choreographer, Adonis is involved in the transmission of knowledge. He regularly gives and facilitates trainings and workshops in Africa and internationally.

Ahmed Tobasi is an actor, director and educator with experiences obtained while working in both domestic Palestinian and international theatres. Born in the Jenin refugee camp, he grew up under Israeli occupation. After two years of training at The Freedom Theatre, Tobasi undertook further education in Norway at the Nordic Black Theatre. In 2013 he returned to the Jenin refugee camp to contribute to the local artistic movement which focused on culture as a form of resistance.

Flemish dramaturge Hildegard De Vuyst is specialised in intercultural dance dramaturgy. She built her expertise working 15 years in KVS (Royal Flemish Theatre) in Brussels. Currently she's dividing her time between the residency programme of les Ballets C de la B in Ghent (the company of Alain Platel) and the Festival de Marseille in the south of France.

← 12. 4. - 17.00 - Ivana Djilas po zgodbi Svetlane Makarovič: VEVERIČEK POSEBNE SORTE